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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Crazy Fingers - CLAUDE HOPKINS


A talented stride pianist, Claude Hopkins never became as famous as he deserved. He was a bandleader early on, and toured Europe in the mid-'20s as the musical director for Josephine Baker. Hopkins returned to the U.S. in 1926, led his own groups, and in 1930 took over Charlie Skeete's band. Between 1932-1935, he recorded steadily with his big band (all of the music has been reissued on three Classics CDs), which featured Jimmy Mundy arrangements and such fine soloists as trumpeter/vocalist Ovie Alston, trombonist Fernando Arbello, a young Edmond Hall on clarinet, and baritone and tenorman Bobby Sands, along with the popular high-note vocals of Orlando Roberson. The orchestra's recordings are a bit erratic, with more than their share of mistakes from the ensembles and a difficulty in integrating Hopkins' powerhouse piano with the full group, but they are generally quite enjoyable. Mundy's eccentric "Mush Mouth" is a classic, and Hopkins introduced his best-known original, "I Would Do Anything for You." Although they played regularly at Roseland (1931-1935) and the Cotton Club (1935-1936), and there were further sessions in 1937 and 1940, the Claude Hopkins big band never really caught on and ended up breaking up at the height of the swing era. Hopkins did lead a later, unrecorded big band (1944-1947), but mostly worked with small groups for the remainder of his career. He played with Red Allen's group during the second half of the 1950s, led his own band during 1960-1966, and in 1968 was in the Jazz Giants with Wild Bill Davison. Claude Hopkins led an obscure record for 20th Century Fox (1958) and three Swingville albums (1960-1963), but his best later work were solo stride dates for Chiaroscuro and Sackville (both in 1972), and a trio session for Black & Blue in 1974; it is surprising that his piano skills were not more extensively documented.
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