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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Johnny Winter's Custom Alembic


Rick Turner took guitar and bass design to new levels in the early 1970s as a partner at Alembic, and he went over the edge in 1974 with this custom Alembic guitar for blues legend Johnny Winter.

Turner took his inspiration for the dragon motif from Winter's tattoos, and the actual design of the dragon came from an Irish carving he saw on the back of a hand mirror his grandmother owned. He carved the dragon into the body of bubinga, maple, mahogany and ebony. He cut the multi-layered "fire" from the dragon's mouth directly from an abalone shell.

As a silversmith's helper in the late '60s, Turner made a lot of fabricated, soldered and welded jewelry in copper, brass, bronze and silver, and many of his custom Alembics reflected that experience. For Winter's guitar he handmade the brass bridge and tailpiece and the hammered, 16-gauge brass control cover on the back. He bound the fingerboard in sterling silver and installed LED lights for the side dot markers.

Although Alembic continued to use exotic woods for basses and guitars, this is the last fully sculptural guitar Turner made at Alembic.
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