This Week's Reader Favorite Post

Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Boogie The Joint - Hubert Robinson

Hubert Robinson had a two-year span as a blues vocalist on the Houston recording scene. His first record was released on Eddie's in 1949 under the name of Hubert Roberson and Orchestra. He moved to the Macy's label the next year and cut several sides for the label (two were unissued) up until the early part of 1951. His last record was waxed for the Jade label under the name Hubert Robinson and his Yardbirds. (Nope, not to be confused with the 1960's British Invasion group). In case you're wondering what exactly Hubert was answering to, please see the video on my channel of "Wintertime Blues" by Lester Williams, recorded in 1949. Robinson disappeared from the Houston blues scene after his last recordings.
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