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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Too Close - Bishop Perry Tillis


Perry Tillis was born July 29, 1919, in Elba , Alabama , and began playing his brand of rambling blues at a very early age. He continued playing the blues and singing gospel, despite going blind, up until his death on November 3, 2004. In the '40s Tillis played the Chicago blues circuit alongside all-time greats likes Muddy Waters and Furry Lewis. However, when a revelation convinced him it was the devil's music, he moved back home and began preaching the gospel.

In 1972 Swedish music archivist Begnt Olsson tracked down Tillis at his church in Samson , Alabama, and recorded these tracks over three sessions. He was frail and old when Olsson found him, but he played the guitar, both electric and acoustic, with a mosquito-like fragility that is truly transcendent.

In an age when major pre-war blues players were being rediscovered, unknown geniuses like Tillis were still playing a style of blues (gospel) that touched upon greatness and kept alive the traditions that were inspiring the likes of The Rolling Stones and Eric Clapton. This CD has a hallucinatory, Velvet Underground-like groove that meanders through each hymn. The slide guitar playing is beautiful and Tillis' voice speaks of a knowledge all but lost in the 21st Century. A wonderful debut release from an unknown blues virtuoso who is missed.
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