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Showing posts with the label Whistlin' Alex Moore

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Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Ice Pick Blues - Whistlin' Alex Moore

By Bman -
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Whistlin' Alex Moore (November 22, 1899 – January 20, 1989) was an American blues pianist, singer and whistler. He is best remembered for his recordings of "Across The Atlantic Ocean" and "Black Eyed Peas and Hog Jowls. Born Alexander Herman Moore in Dallas, Texas, After his father's death, Moore dropped out of school to support his mother and two siblings. He learned the piano before entering the United States Army in 1916. His overall sound during the 1920s combined elements of the blues, ragtime, barrelhouse boogie, and stride. The same decade saw Moore acquire his nickname, based upon a whistle he made while playing the piano In 1929, he made his debut recordings for Columbia Records. The records he made did not sell in great quantities, and Moore did not record again until 1937, when he issued a few sides on Decca Records. It was 1951 before Moore recorded again with RPM Records/Kent. However, throughout the 1940s and 1950s, Moore performed in clubs in D...
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Alex's Boogie - Whistlin' Alex Moore

By Bman -
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Whistlin' Alex Moore (November 22, 1899 – January 20, 1989) was an American blues pianist, singer and whistler. He is best remembered for his recordings of "Across The Atlantic Ocean" and "Black Eyed Peas and Hog Jowls." Born Alexander Herman Moore in Dallas, Texas, After his father's death, Moore dropped out of school to support his mother and two siblings. He learned the piano before entering the United States Army in 1916. His overall sound during the 1920s combined elements of the blues, ragtime, barrelhouse boogie, and stride. The same decade saw Moore acquire his nickname, based upon a whistle he made while playing the piano n 1929, he made his debut recordings for Columbia Records. The records he made did not sell in great quantities, and Moore did not record again until 1937, when he issued a few sides on Decca Records. It was 1951 before Moore recorded again with RPM Records/Kent. However, throughout the 1940s and 1950s, Moore performed in clubs...
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Whistlin' Alex Moore

By Bman -
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Whistlin' Alex Moore (November 22, 1899 – January 20, 1989) was an American blues pianist, singer and whistler. He is best remembered for his recordings of "Across The Atlantic Ocean" and "Black Eyed Peas and Hog Jowls." Born Alexander Herman Moore in Dallas, Texas, After his father's death, Moore dropped out of school to support his mother and two siblings. He learned the piano before, in 1916, entering the United States Army. His overall sound during the 1920s combined elements of the blues, ragtime, barrelhouse boogie, and stride. The same decade saw Moore acquire his nickname, based upon a whistle he made while playing the piano In 1929, he made his debut recordings for Columbia Records. The records he made did not sell in great quantities, and Moore did not record again until 1937, when he issued a few sides on Decca Records. It was 1951 before Moore recorded again with RPM/Kent. However, throughout the 1940s and 1950s, Moore performed in clubs in Dalla...
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