This Week's Reader's Favorite Post

💿 ALBUM REVIEW: John Primer and Friends - Tribute To Theresa's Lounge

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John fell in love with the blues as a child when his father and an older cousin played guitar and sang at night after a hard day in the fields. His mother moved to Chicago to secure a job and support her family. She promised to bring John and his sister to the big city when they reached age 18, leaving them with family. Depressed and lonely, young Primer frequently went into the neighboring woods, where he cried his troubles away and began singing the blues in solitude. He eventually built himself a diddley bow on the side of his grandmother's house out of broom wire, two nails and a brick and began accompanying himself as he sang, eventually playing for dimes and quarters in his schoolyard. After listening to Jimmy Reed , Little Milton, B.B. King , Albert King and Muddy Waters on his grandmother's record player, his biggest dream was to play alongside Muddy Waters one day. 🎵 LISTEN & SUPPORT THE ALBUM ▶ Listen to Album Samples (Clic...
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Innervision Records artist: Vincent Venezia - The Venetian - New Release Review

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 I just had the opportunity to review the most recent release, The Venetian, from Vincent Venezia and it's a cool but inventive exploration into the classics. Opening with The Days Of Wine And Roses, Vin Venezia presents the melody with flowing electric riffs, backed by Richie Morales on drums, Harvie S. on bass, and David Budway on piano. Harvie steps out with a real nice bass solo giving the track more depth. Nice opener. Venezia's take on Stella By Starlight is really nice with sure footed, guitar riffs and a tight drum rhythm. With his clean presentation and nice interlude by Budway, this is a real nice track.  Jobim's classic How Insensitive, is a really nice break in the set with a strong Latin rhythm giving Veneziia a broad canvas to paint. Also of note is a health, well presented solo by Harvie. Very nice. Davis' Tune Up is really nice with lead melody by Danny Walsh on tenor sax. Paired with Venezia and his fluid guitar runs, this track takes yet another direction and adds yet more texture.  Wrapping the release is original composition, Without A Sound, featuring Venezia climbing ever high on synth guitar over a staid acoustic guitar anchor.. Cool ending foe an interesting release. 


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