I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the most recent release, Free, from Amanda Fish and it's cool. Fish takes a raw pop edge with soul to create her own voice. Opening with 2020, a funky blues track Fish kicks off her shoes and captures that southern rock Muscle Shoals" feel with Dave Hays on guitar. Cool opener. Boogie track, Not Anymore has a great driving bass line and with Richard Rosenblatt spicing up the track on harp. Boogie! One of my favorite tracks on the release is Anymore with really nice soulful vocals and Chris Hazelton joining on organ. Blessed is full blown gospel style soul with Sarah Morgan on backing vocals and Ken Valdez on guitar. Alastair Greene kicks it into high gear on rocker, Going Down with super slide guitar. Very cool. Powerful soul ballad, You Could Be shows just how gripping Fish's vocals can be when she digs down and she does dig. Coyote Bill adds some hot flashes on guitar joined by Hazelton on organ. Hot and heavy. Another boogie track with hot slide is Here We Are and plenty of soul country sweat. Best blues vocals on the release show on Don't Mean A Thing with a lot of the emotion of Janis on Ball and Chain featuring very nicely articulated guitar soloing by Hays. With a change up, Fish switches to a raw, Courtney Love style for another super track. Wrapping the release is title track, Free, a solemn soul track with Fish accompanying herself on piano, joined by Hazelton on organ, and then springing into a full blown spiritual track with Hays and Carl Butler on guitar, Morgan on vocals, Glen James on tambourine and drums, and Fish of course on bass. This is a sneakily super release. Give it a couple of listens and see for yourself.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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