Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist. 🎵 LISTEN & SUPPORT THE ALBUM Keep Holding On by Leigh ...
I just had the opportunity to review the most recent release, Between Somewhere and Goodbye by Doug MacLeod, and it's that cool, MacLeod blues rock thing. I've been reviewing Doug's releases for over 10 years and I find him like JJ Cale in that his music is cool, clever and somewhat definable... and that's good. Opening with Memphis In Your Soul, MacLeod sets off with a lightly funky, track with soulful vocals, an easy guitar riff, and with Paul Ossola on bass, Lynn Williams on drums and Cindy Walker, Marie Lewey and Carla Russell on backing vocals. MacLeod lays in one of his understated, single string guitar solos making for perfect opener. Keep On Walking On is a straight up shuffle with really light instrumental backing almost dominated by a single snare/tambourine snap and MacLeod's vocals, backed by Lewey, Russell and Walker and another traditionally simple yet interesting guitar solo. Very solid melody and performance.I Ain't No Stranger has a spirit of it's own like any good, old school delta blues track. With resonating guitar vamps, story telling vocals and distant drum and percussion this track is not aa radio track but shines on it's own. Shuffle, I Don't Like Your Chances, powered by MacLeod's guitar and Mark Jordan on piano gives the release some juice and MacLeod fans an energetic guitar solo to compliment his Bromberg like vocal delivery. Vey cool. I like the guitar vamp on Watching The Sun Go Down developing into another of those MacLeod, hidden gems with it's understated melody. His vocals are raspy yet perfect to deliver on just such a track. Solid closer.
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