This Week's Reader's Favorite Post

💿 ALBUM REVIEW: Leigh Pilzer - Keep Holding On

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Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist.   🎵 LISTEN & SUPPORT THE ALBUM   Keep Holding On by Leigh ...

Misty Blues: I'm Too Old For Games - New Release Review

 I just had the opportunity to review the most recent release, I'm Too Old For Games, by Misty Blues and it's rich. Opening with Led Belly's Jim Crow Blues, a slower shuffle, Gina Coleman of lead vocals really digs deep with her earthy vocals. Eileen Markland on violin plays soulful lead , followed by Seth Fleischmann on guitar and Aaron Dean on sax, backed by Diego Mongue on bass, Rob Tatten on drums and Joel Nicholas on piano. Strong opener. With gospel revival feel, Alabama Bound is lively with crisp guitar riffs by Fleischmann and soulful sax work by Dean. Jack O' Diamonds is give a slinky/funky feel with Nicholas playing cool piano riffs off of Coleman's deep, bluesy vocals. Fleischmann lays in a real nice acoustic blues guitar solo and Dean blows soulful sax right out of the Stax songbook. Very cool. Wrapping the release is a trio of traditional Freedom songs beginning with Coleman singing acapella only with Nicholas on piano. Progressing to a gospel fueled shuffle with Coleman in vocal harmony with Nicholas on piano and Mongue and Tatten on drums overlaid with sax by Dean closing full revival style. Solid closer. 


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