This Week's Reader's Favorite Post

💿 ALBUM REVIEW: Leigh Pilzer - Keep Holding On

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Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist.   🎵 LISTEN & SUPPORT THE ALBUM   Keep Holding On by Leigh ...
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Tiger Turn artist: David Bixler - BEATitude - New Release Review

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 I just had the opportunity to review the most recent release, BEATitude, from David Bixler and it's quite enjoyable. Opening with A Power Deferred, alto sax player/ composer, David Bixler sets up a solid melody, caressed by the excellent accent work of Jon Cowherd on piano and Ike Sturm on bass and Rogerio Boccato on percussion. With a lightly salted Latin rhythm and Bixler trades with Cowherd who's piano lines flow nicely and Sturm's bass solo is firm and inciteful. Strong opener. Hide Seek Find has a bit of Bossa Nova in it's blood with Cowherd and Boccato creating the basis for the rhythm and Sturm really working the bass. Bixler, free to play the melodic solo lead. Again, Sturm gets the floor and his freedom to enhance the track is really meaningful. Cowherd takes a nice stroll on piano before joining back to a uniform front giving the track real texture.  Wrapping the release is Lost Hours? No, with it's solemn, alto sax drifting a hint of melody over the shadow bass lines of Sturm. Cowherd begins an abstracted piano rhythm, joined by Boccato and weaving into one fabric as the composition grows. Cowherd takes the lead on piano crafting a really nice alternate framework, providing space for a new melodic interlude by Bixler with Boccato and Sturm to anchor the piece. Very nice closer. 


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