This Week's Reader's Favorite Post

💿 ALBUM REVIEW: Leigh Pilzer - Keep Holding On

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Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist.   🎵 LISTEN & SUPPORT THE ALBUM   Keep Holding On by Leigh ...
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Denin Slage-Koch - It Comes In Waves - New Release Review

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 I just had the opportunity to review the most recent release, It Comes In Waves, from Denin Slage-Koch and its a nice blend of instrumental interpretations. Opening with title track, It Comes In Waves, Ryan Keberke on trombone, and Shane Endsley on trumped create a ccol blended intro. With Seth Lewis on bass and Bobby Wiens on drums, Denin Slage-Koch lays down a sumptuous melody on guitar followed by a knockout trombone solo by Keberle, floating on a bed of keys by Gavin Allen-Dunn. Very cool. On One For Honey, Slage-Koch kicks up the tempo with fluid finger work over Lewis and Wiens keeping a tight bottom and a fluid piano jaunt by Allen-Dunn really hits the spot. Continue really gets going with a driving rhythm by Lewis and Wiens. Endsley on trumpet and flugelhorn and Keberle on trombone set the stage and Slage-Kock solos aggressively over the rabid bass line of Lewis and Keberle adds some really nice trombone lines and Allen-Dunn's keyboard work is well formed and fluid making this one of my favorite tracks on the release. With a bluesy rock feel, Slage-Koch shows a totally different side on Signal Fires with a long, Gilmore inspired solo, pushed ever higher by Allen-Dunn's full load organ work and the bottom by Lewis and Wiens. Very cool. Wrapping the release is Quiet Year, an interesting track with Slage-Koch and Lewis each taking beautiful solos over a subtle background. This is a solid closer for an enjoyable release. 


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Comments

  1. AnonymousJanuary 11, 2024 at 7:26 PM

    Thanks for the review! I'm glad you liked the music!

    ReplyDelete

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