This Week's Reader's Favorite Post

💿 ALBUM REVIEW: Leigh Pilzer - Keep Holding On

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Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist.   🎵 LISTEN & SUPPORT THE ALBUM   Keep Holding On by Leigh ...

Slide Records artist: Paul Boddy & The Sidewinder Blues Band - Nosy Neighbors - New Release Review

 I just had the opportunity to review the most recent release, Nosy Neighbors, from Paul Boddy & The Slidewinder Blues Band, and it's a cool, straightforward contemporary blues band. Opening with easy shuffle, Trouble Finds Me Everyday, Paul Boddy on lead vocal and guitar sets a solid platform, joined by Glenn Halo on keys, Chuck Hearne on bass and Dave Hollingsworth on drums. Another shuffle, Hanky Panky Blues has a real nice sway with a strong piano solo by Hale and excellent vocal by Boddy who adds some real nice slide. With it's cool Latin beat, title track, Nosy Neighbors, has strong radio appeal with a great melody, hot drum rhythm and real nice slide work by Boddy. Right Way Up is a real nice blues rocker with nice finger work by Boddy, a driving bass line by Hearne and strong backing vocals. Wrapping the release is Trash Can Head, a laid back bluesy rocker with super jammy piano by Hale, and a cool bass line by Hearne. Backing vocals aren't listed on the album, but I do think that they add nicely to Boody's smooth slide work. Solid closer. 


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