This Week's Reader's Favorite Post

💿 ALBUM REVIEW: Leigh Pilzer - Keep Holding On

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Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist.   🎵 LISTEN & SUPPORT THE ALBUM   Keep Holding On by Leigh ...

Treated and Released Records artist: Reverend Freakchild - The Bodhisattva Blues - New Release Review

I just had the opportunity to review the most recent release, The Bodhisattva Blues, from Reverend Freakchild and as always, he puts a cool spin on the blues. Opening with I Can't Be Satisfied, Freakchild puts a funky spin on Waters' stellar hit with loads of acoustic slide and Chris Parker on drums. Excellent! Willie Dixon's Little Red Rooster also gets a more low slung treatment with cool slide and vocals by Freakchild. Scott Hackler does a real nice job of rolling the piano on this one and with Malcolm Oliver on bass and Parker on drums, solid shot. John Lennon's Yer Blues has always been one of my favorite rock/blues tracks and Freakchild must share that sentiment with his cover. With Mark Karan on lead guitar, Robin Sylvester on bass, Hugh Pool on harmonica, Melvin Seals on organ and Parker on drums, this track is packing. Rev Gary Davis' Death Don't Have No Mercy gets a more contemporary almost folk rework and Freakchild's voice carries the load nicely. I mean his acoustic slide work is strong and Jay Collins' flute work gives the track an almost Othar Turner fife feel. Very interesting interpretation. Wrapping the release is Freakchild acapella on traditional song, And We Bid You Goodnight. This is a real solid release and one that continues to show Freakchild's love for the blues and capability in delivering it from a fresh perspective. 

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