This Week's Reader's Favorite Post

💿 ALBUM REVIEW: Leigh Pilzer - Keep Holding On

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Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist.   🎵 LISTEN & SUPPORT THE ALBUM   Keep Holding On by Leigh ...
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Gulf Coast Records artist: Odds Lane - Lost & Found - New releae review

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I just had the opportunity to review the most recent release, Lost & Found, from Odds Lane and it's mixes rock, pop and blues for a catchy set. Opening with Don't Give It Away, a solid rocker with a great bass line by lead vocalist, Doug Byrkit, and spanking drum beat by Brian Zielie with solid guitar work by Mike Zito. Lost and Found is a super radio track with just a sprinkle of country flavor. Byrkit and Zielie have a real flair for radio style melodies and this may be the best one on the release, topped with a straight but cool guitar solo. Moth To A Flame is set over a James Brown style boogaloo beat. This will keep your feet tapping and Zito's slide guitar work hits solid on target. Very nice. A solid blues rocker, Blood On The Van, has a great thumping bass line, underscored guitar lead by Brykit along with smooth vocal blending with Zeilie and nicely executed slide work by Zito. Latin influenced, Little Too Late, has a bright, almost jazzy feel with balanced instrumentals, smooth vocals and a really nicely phrased guitar solo. Wrapping the release is White Castle Blues, so strong a closer that it should be a tv theme song. With it's perfectly balanced melody and vocals, and searing slide work by Zito, a solid closer. 

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