This Week's Reader's Favorite Post

💿 ALBUM REVIEW: Leigh Pilzer - Keep Holding On

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Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist.   🎵 LISTEN & SUPPORT THE ALBUM   Keep Holding On by Leigh ...

Al Corte' - Mojo - New Release Review

I just had the opportunity to review the most recent release, Mojo, from Al Corte' and it's a cool soul & R&B release. Opening with title track, Mojo, lead singer Al Corte' sets the stage for this cool track with a solid melody and nice vocals. Featuring Leroy Hodges on bass, Rev. Charles Hodges Sr. on B3 and Steve Potts on drums, this track hums with a strong guitar solo by Michael Toles and backing vocals by Candice Rayburn, Sharisse Norman and Stefanie Bolton. Also contributing throughout the release are Jim Spake on tenor sax, Kirk Smothers on bari sax, Lannie McMillan Jr. on tenor sax, Marc Franklin on trumpet and flugelhorn. I'll Never Lose My Love For The Blues features a cool slide riffs by Brad Webb and a strong bottom end. Very cool. John Nemeth's harp contributions to Juke Joint Jive add a crisp edge to this soulful stepper and I particularly like the Hammond work by Hodges and the soulful work by Smothers on the bottom. Soul tune, Blessed To Have Your Near has a super gospel edge nicely complimented by Hodges Sr. on piano and the strong overall vocals. It's A Good Day has a really cool groove with moving percussion by Corte' and perfect accents by Franklin, Hodges, Rayburn, Norman and Bolton. Very nice. Wrapping the release is soul ballad, You Hurt Me So Good showcasing Corte' at his best, with warm backing vocal harmonies, Ron Miller.s piano, Hodges Sr's B3 and McMillan Jr.s tenor sax. Excellent closer.



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