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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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You Told Me / Tricky - Gus Jenkins

b. 24 March 1931, Birmingham, Alabama, USA, d. December 1985, Los Angeles, USA. Like many of his generation, Jenkins drew his influences from 40s blues and spent much of his mature career adapting to the demands of rock ‘n’ roll and R&B. As his earliest recordings for Chess and Specialty show, Jenkins, like Jimmy McCracklin, modelled himself on St. Louis pianist Walter Davis. Both largely unissued sessions took place in 1953 and featured ‘Cold Love’ and ‘Mean And Evil’, which along with ‘Eight Ball’ and ‘I Ate The Wrong Part’, were based on Davis originals. Thereafter, Jenkins recorded extensively for Combo and Flash, before he started his own Pioneer label in 1959. Most of these recordings were piano or organ instrumentals with his or Mamie Perry’s vocals. He continued this policy through the early 60s with a series of singles on General Artists. Late in the decade, he converted to Islam and assumed the name Jaarone Pharoah.

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