This Week's Reader's Favorite Post

💿 ALBUM REVIEW: Leigh Pilzer - Keep Holding On

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Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist.   🎵 LISTEN & SUPPORT THE ALBUM   Keep Holding On by Leigh ...
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I'll Be Glad When the Sun Goes Down - Alan Lomax

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Fred McDowell, vocal and guitar. Recorded by Alan Lomax in Como, Mississippi. September 25, 1959. From "I'll Be So Glad When the Sun Goes Down," one of five albums commemorating the 50th anniversary of Lomax's "Southern Journey" field recording trip. Released in 2011 digitally by Global Jukebox (GJ 1004) and on LP by Mississippi Records (MR 060).

Fred McDowell was a farmer who emerged from the woods on the first day of fall, 1959, and ambled over to his neighbor Lonnie Young's front porch in his overalls with a guitar in hand. Lomax had no idea what he was in for, but after McDowell's first song he knew he was in the presence of one of the most original, talented, and affecting country bluesmen ever recorded.
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McDowell showed few outward signs of conflict he might have felt by playing sacred and "sinful" music in the same setting. A 1964 record of Fred's, "My Home Is In the Delta" (which wasn't actually the case), devotes its first side to blues and its second side to spirituals and church hymns sung with his wife Annie Mae. Unlike Robert Wilkins, who left off blues altogether when he got religion, or Son House, who spent his life deeply tormented, torn between the two, McDowell could move from a blues about a cheating lover into this earnest religious piece. This recording was the only he ever made of "Woke Up This Morning.
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