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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Cleopatra Records artist: Eric Gales - A Night On The Sunset Street - New Release Review - CD/DVD

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I just received the newest release (July 8, 2016), A Night On The Sunset Strip , from Eric Gales , and it's really strong. Opening with Make It There , Gales and crew are FUNKY! Backed by Cesar Oviedo on bass who's emphasis is additive and percussive and Nicholas Hayes, who's drumming is crisp and direct this band is tight and spontaneous. Gales, of course, has the mic, playing a green/gold metallic Strat and his soloing is absolutely fluid. This man can throw down 50 note runs barely moving is gingers. Great opener. On modified boogie track, The Change In Me , Oviedo sets a solid boogie bass line but this track has some changes in mind. With effective use of rim shots and snappy jazz turns by Hayes and classy chords by Gales, this track is adventurous. Gales slowly builds dynamics using light bursts of fire but ultimately exploding into full out speed riffs, but not without returning to the jazzy chords and light touch to close. An interview with Gales is interjected be...