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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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New Bern -- Big Boy Henry

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Richard Big Boy Henry b. May 26, 1921 in Beaufort, North Carolina d. December 5, 2004 in Beaufort, North Carolina Although Richard “Big Boy” Henry was an imposing figure at first glance, he was one of the sweetest, most gentle men ever to sing the blues. Born in Beaufort, North Carolina in 1921, he spent much of his life near the coast earning a modest living for himself and his family. As a youth he was drawn to the music of the itinerant blues singers who worked the streets near his home, and he learned to play the guitar. Before his first marriage, he made a fair name for himself as a powerful singer and versatile guitarist on the thriving Carolina blues scene. In the Fifties he stopped playing music, and didn’t pick up a guitar again until thirty years later, encouraged by some young musicians who had heard tales of his early exploits. Throughout the 80s and 90s Big Boy appeared at prestigious festivals throughout the states and abroad and issued numerous self-produced cassettes an...