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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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SteepleChase Lookout artist: David Janeway - Distant Voices - New Release Review

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 I just had the opportunity to review the most recent release, Distant Voices , from David Janeway and it's a real nice set of contemporary takes on classic jazz tracks as well as a number of new tunes by Janeway. Opening with Sweet And Lovely , Janeway who leads the way on piano sets Amheim classic tune with a light Latin beat. Cameron Brown on bass runs an interesting counter melody held tight by Billy Hart on drums. Ellington's Blue Serge gets laid back with really nice piano improvisation by Janeway and just the right balance of bass and drum support by Brown and Hart. Brown takes a real nice acoustic bass solo on this track, now punctuated by Janeway. Very nice. Gary Peacock's Gardenia is fertile soil for improvisation by Janeway and Brown with solid phrasing and execution on this classic. One For Cedar is an original by Janeway and has a strong melody, nicely showcased by this trio. I really like Hart's enthusiasm on this track in particular with tight riffs an...