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Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Johnny Griffin

By Bman -
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John Arnold Griffin III (April 24, 1928 – July 25, 2008) was an American bop and hard bop tenor saxophonist. Griffin studied music at DuSable High School in Chicago under Walter Dyett, starting out on clarinet before moving on to oboe and then alto sax. While still at high school at age 15, Griffin was playing with T-Bone Walker in a band led by Walker's brother. Alto saxophone was still his instrument of choice when he joined Lionel Hampton's big band three days after his high school graduation, but Hampton encouraged him to take up the tenor, playing alongside Arnett Cobb. He first appeared on a Los Angeles recording with Hampton's band in 1945 at age 17. By mid-1947, Griffin and fellow Hampton band member Joe Morris had formed a sextet made up of local musicians, including George Freeman, where he remained for the next two years. His playing can be heard on various early Rhythm and Blues recordings for Atlantic Records. By 1951 Griffin was playing baritone saxophone in...
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