Posts

Showing posts with the label Far-Tone Records

This Week's Reader's Favorite Post

💿 ALBUM REVIEW: Leigh Pilzer - Keep Holding On

Image
Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist.   🎵 LISTEN & SUPPORT THE ALBUM   Keep Holding On by Leigh ...

Far-Tone Records artist: Ryan Hartt - Be About It! - New Release Review

Image
 I just had the opportunity to review the most recent release, Be About It! from Ryan Hartt and it's quite good! Opening with blues rocker, Breakin' Even , Ryan Hartt is great on lead vocals and his harmonica tone if full and his riffs crisp. I particularly love Jad Tariq's guitar tone and he lead soloing is really strong. Backed by Nick Toscano on drums and Jeffrey Berg on bass, I love this opener. Harmonica jam, All Night Long , has a great driving rhythm with Hartt punching the single note melody on harmonica and a dimensionality added by Tariq on guitar. With a chorus of All Night Long and drums and bass, this is one of the best mostly one note tracks I've ever heard. Really! Mel London's I Wonder Why is a terrific showcase for Nick Adams on lead guitar and Hartt's vocals are smooth as silk leading into warm harmonica soloing. Hartt's phrasing is soulful and fresh.  Very nice. Chicago styling really carries That's Right You're Wrong , a great ...