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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Second Line - Kid Sheik, Brother Cornbread

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A huge hunk of cornbread would not have been more welcome during the potato famine than it is as a nickname in the career of New Orleans jazz reed player and vocalist Joe "Cornbread" Thomas. Thanks to the appetizing moniker this superior player -- who kept busy with trad jazz up through his senior years -- has more than a tasty chance of being told apart from the Joe Thomas that played trumpet, the Kansas City jazz saxophonist who took over the Jimmie Lunceford band, or the funky flute player whose recording named Plato's Retreat was a hit. Prelude to the Revival, Vol. 1 The New Orleans Thomas is the elder statesman of all these name-alikes, having a bit less than a decade of a head's start over either the trumpeter or the Kansas City jazz Thomas, both of whom were born in 1909. Jelly Roll Morton was among the earliest of bandleaders to put the cornbread in the musical oven, so to speak; at any rate, the Morton discography represents a body of work involving Thomas th...

Second Line - Kid Sheik, Brother Cornbread

Image
A huge hunk of cornbread would not have been more welcome during the potato famine than it is as a nickname in the career of New Orleans jazz reed player and vocalist Joe "Cornbread" Thomas. Thanks to the appetizing moniker this superior player -- who kept busy with trad jazz up through his senior years -- has more than a tasty chance of being told apart from the Joe Thomas that played trumpet, the Kansas City jazz saxophonist who took over the Jimmie Lunceford band, or the funky flute player whose recording named Plato's Retreat was a hit. The New Orleans Thomas is the elder statesman of all these name-alikes, having a bit less than a decade of a head's start over either the trumpeter or the Kansas City jazz Thomas, both of whom were born in 1909. Jelly Roll Morton was among the earliest of bandleaders to put the cornbread in the musical oven, so to speak; at any rate, the Morton discography represents a body of work involving Thomas that has managed to remain in ...