Bman's Blues Report

Talk about a versatile musician: Alden Bunn (aka Tarheel Slim) recorded in virtually every postwar musical genre imaginable. Lowdown blues, gospel, vocal group R&B, poppish duets, even rockabilly weren't outside the sphere of his musicianship. However, spirituals were Bunn's first love. While still in North Carolina during the early '40s, the guitarist worked with the Gospel Four and then the Selah Jubilee Singers, who recorded for Continental and Decca. Bunn and Thurman Ruth broke away in 1949 to form their own group, the Jubilators. During a single day in New York in 1950, they recorded for four labels under four different names! One of those labels was Apollo, who convinced them to go secular. That's basically how the Larks, one of the seminal early R&B vocal groups whose mellifluous early-'50s Apollo platters rank with the era's best, came to be. Bunn sang lead on a few of their bluesier items ("Eyesight to the Blind," for one), as well as ...