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Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Rock & Roll Boogie - Big Al Sears

By Bman -
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The beginnning of this clip is funky but give it a chance...Big Al Plays! Al Sears (February 21, 1910, Macomb, Illinois-March 23, 1990, New York City) was an American jazz tenor saxophonist and bandleader. Sears's first major gig came in 1928 when he replaced Johnny Hodges in Chick Webb's ensemble. Following this he played with Elmer Snowden (1931-32), then led his own groups between 1933 and 1941. In the early 1940s he was with Andy Kirk (1941-42) and Lionel Hampton (1943-44) before he became a member of Duke Ellington's Orchestra in 1944, replacing Ben Webster. He became one of Ellington's best-known soloists, and remained in his employ until 1949, when Paul Gonsalves took over his chair. He played with Johnny Hodges in 1951-52, and recorded the tune "Castle Rock" with him; the tune became a hit, but was released under Hodges's name. He played as a studio musician on a variety of R&B albums in the 1950s and recorded two albums for Swingville Recor...
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