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Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Eller Soul Records artist: John Cocuzzi - Ding Dong Daddy - New Release Review

By Bman -
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I just received the newest release, Ding Dong Daddy , from John Cocuzzi and it's a mix of swing, boogie woogie, blues, ballads and big band giving it quite a bit of flavor. Opening with piano boogie instrumental, Swanee River Boogie , Cocuzzi shows that he's serious about his boogie woogie. Rattling the keyboard Joe has the place hopping. Next up is Reconsider Baby with nice guitar work from Kevin McKendree complimented by Paul Keller on bass, Frank Cocuzzi and of course John on piano and vocal. Very nice! Ding Dong Daddy features hot solos from Dan Levinson on clarinet, John on vibes and Jerry Krahn on guitar. Slow swing blues, That's Alright , shows John's capability as a serious blues piano player as well who really has the track swinging low. An excellent bass solo from Paul Keller is a real nice touch. Just Call Me has a real nice New Orleans, Dr. John funky kind of feel. Quiet jazzy instrumental ballad, Come Sunday, shows John's sensitivity on vibes, co...
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