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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Brubeck Editions: The Dave Brubeck Trio - Live From Vienna 1967 - New Release review

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 I just had the opportunity to review the most recent release, Live From Vienna 1967 from The Dave Bruebeck Trio and it's terrific. This is the only recording of this setup playing as a trio as sax player Paul Desmond missed the flight from Hamburg. This arrangement gave this innovative trio a lot more room to move and they really took advantage of the opportunity. Opening with St. Louis Blues , Dave Brubeck on piano really digs in. With an up tempo boogie style, supported by an excellent bass line by Eugene Wright, and light upper end but tight kick drum accents by Joe Morello, this band really flies. Wright steps up with a great lead bass solo with Brubeck and Morello keeping only the lightest of rhythm on piano and drums. Morello shows clean timing and perfect footwork on his own solo wrapping the track. Excellent! On La Paloma Azul,  Brubeck plays beautifully, holding the composition in the palm of his hands. Lightly expressing his phrasing and with Wright playing in bal...