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Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Cop Records artist: Mark Cameron Band - Live at Blues On The Chippewa - New Release Review

By Bman -
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I just had the opportunity to review the newest release, Live at Blues On The Chippewa , by the Mark Cameron Band and it's rough and tumble. Opening with boogie track, Doctor In The House , Mark Cameron has the lead on vocal and guitar with Bill Keyes on harp, Scott Lundberg on bass, Dan Schroeder on drums and Sheri Cameron on flute and percussion. Willie Mabon styling on Dicey makes it a really cool track with mostly spoken lyrics and double stopped guitar and harp work. Borrowed Time is a slower ballad with nice blues bones. Nicely highlighting Mark's vocals and with nice flute work by Sheri, the solemn guitar soloing by Mark is particularly cool... like James Gurley on Summertime. With a slice of two step, Mojo Shuffle cruises nicely with it's tight bass line and harp riff. Willie Dixon's Killin' Floor is up next in the slot between the original and Led Zep's take. With raw vocals and a rock beat, Keyes lays on the harp giving the track a cool blues e...
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