Bman's Blues Report

Growing up in Clarksdale, Mississippi, Ernest had the right background for a bluesman; his father was a barrelhouse pianist, his boyhood friend was Ike Turner and Pinetop Perkins was a family friend who showed the youngster a thing or two. Ike fell in love with the piano when he peered in at The King Biscuit Boys, featuring boogie pianist Joe Willie Pinetop Perkins, rehearsing in the basement of his buddy Ernest Lanes house. When he was just a teenager, Lane hooked up with legendary slide guitarist Robert Nighthawk. Nighthawk eventually took him to Chicago where his solid piano work graced a number of sides cut for the Chess label in 1948-49. These cuts include the blues classic Sweet Black Angel. After Nighthawk Ernest played with Earl Hooker, Houston Stackhouse and others before heading to the California in 1956. After arriving in California, Lane worked with Jimmy Nolen and George Harmonica Smith before being recruited by old buddy Ike Turner to be a member of the Ike and Tina Tur...

Growing up in Clarksdale, Mississippi, Ernest had the right background for a bluesman; his father was a barrelhouse pianist, his boyhood friend was Ike Turner and Pinetop Perkins was a family friend who showed the youngster a thing or two. Ike fell in love with the piano when he peered in at The King Biscuit Boys, featuring boogie pianist Joe Willie Pinetop Perkins, rehearsing in the basement of his buddy Ernest Lanes house. When he was just a teenager, Lane hooked up with legendary slide guitarist Robert Nighthawk. Nighthawk eventually took him to Chicago where his solid piano work graced a number of sides cut for the Chess label in 1948-49. These cuts include the blues classic Sweet Black Angel. After Nighthawk Ernest played with Earl Hooker, Houston Stackhouse and others before heading to the California in 1956. After arriving in California, Lane worked with Jimmy Nolen and George Harmonica Smith before being recruited by old buddy Ike Turner to be a member of the Ike and Tina ...