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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Magic Slim & The Teardrops 1974 featuring Coleman Pettis

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To the avid blues fan, the name Alabama Jr. (Daddy Rabbit) has been synonymous with that of Magic Slim & The Teardrops for 10 years, From 1973 to 1983. Alabama Jr. was a staple of the Teadrops band providing sympathetic backing to the driving lead of Magic Slim and pulsating bass of his brother, Nick Holt. Coleman Pettis Jr. (his real name) was born in Alabama in the mid 1930s. At the age of 8 his mother taught him to play the guitar, which he practiced sporadically throughout his childhood. When there wasn’t a guitar handy for him to play on, he would make his own by winding bothe ends of some baling wire around a long stick and plucking out whatever sound he could get. By the time he was a teenager, he was playing at local fish fries, first as a solo guitarist, then adding another guitar and playing as a part of a duo, for the then grand sum of $5. - per night. In 1952 he moved to Chicago, where he was eventually to meet and play with many of the great musicians who were building...