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Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Al vaiven de mi caretta - AfroCubism

By Bman -
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ELIADES OCHOA guitar and vocals (born Songo la Maya, Cuba, 1946) With his trademark cowboy hat and penchant for wearing black, Eliades Ochoa has been dubbed "Cuba's Johnny Cash." There's more than a fashion statement in the comparison to America's greatest country singer, too, for Ochoa is a "guajiro" (from the countryside) and a champion of rural Cuban styles such as son and guararcha. One of the younger members of the Buena Vista Social Club, he has since become something of an elder statesman himself and has been a professional musician for almost half a century. For many years he was a regular at Santiago's famous Casa de la Trova, and, in 1978, he took over the leadership of Cuarteto Patria, a Cuban institution, which, by then, had already been performing for almost 40 years. He recorded two albums with the group for the Mexican Corason label and in 1986 met the veteran singer Compay Segundo, who joined Cuarteto Patria for a time. While with the...
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