Bman's Blues Report

Charles "Charlie" Parker, Jr. (August 29, 1920 – March 12, 1955), also known as "Yardbird" and "Bird", was an American jazz saxophonist and composer. Miles Davis once said, "You can tell the history of jazz in four words: Louis Armstrong. Charlie Parker."Parker acquired the nickname "Yardbird" early in his career and the shortened form, "Bird", which continued to be used for the rest of his life, inspired the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise." Parker was a highly influential jazz soloist and a leading figure in the development of bebop,a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrati...

George Sylvester "Red" Callender (March 6, 1916 – March 8, 1992) was a jazz bass and tuba player, famous for turning down a chance to work with Duke Ellington's Orchestra and the Louis Armstrong All-Stars. Callender was born in Haynesville, Virginia. In the early 1940s, he played in the Lester and Lee Young band, and then formed his own trio. In the 1940s Callender recorded with Nat King Cole, Erroll Garner, Charlie Parker, Wardell Gray, Dexter Gordon and many others. After a period spent leading a trio in Hawaii, Callender returned to Los Angeles, becoming one of the first black musicians to work regularly in the commercial studios, including backing singer Linda Hayes on two singles. On his 1954 Crown LP Speaks Low, Callender was one of the earliest modern jazz tuba soloists. Keeping busy up until his death, some of the highlights of the bassist's later career include recording with Art Tatum and Jo Jones (1955–1956) for the Tatum Group, playing with Charles Mingus...

Howard McGhee, Al Killian - trumpets Charlie Parker, Willie Smith - alto saxes Lester Young - tenor sax Arnold Ross - piano Billy Hadnott - bass Lee (Prez' brother) Young - drums  It's hard to decide quite whether the drummer Lee Young's place in jazz gained from the overwhelming importance of his brother Lester, or was cast in the shade by it. The two men worked together several times during Lester's short life, and in their own band Lester was the universal jazz muse while Lee took care of the more prosaic side of things. One thing not in doubt is that Lee Young was an outstanding accompanist, who eschewed drum solos and who fashioned his own career away from his brother. Young's pianist father raised his family in the New Orleans area, and all of his children were taught to play musical instruments. In the 1920s, he formed a family band, the New Orleans Strutters, which played at minstrel shows and carnivals. The band also toured the South on the infamous Thea...

Leroy Jackson, d. December 27, 1985 was a bass player for artists such as Duke Ellington, Sarah Vaughan, Count Basie, Charlie Parker and others. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, -  ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

Charles Parker, Jr. (August 29, 1920 – March 12, 1955), also known as "Yardbird" and "Bird", was an American jazz saxophonist and composer. Parker acquired the nickname "Yardbird" early in his career and the shortened form, "Bird", which continued to be used for the rest of his life, inspired the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise." Parker was a highly influential jazz soloist and a leading figure in the development of bebop,a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Many Parker recordings demonstrate virtuosic technique and complex melodic lines, sometimes combining jazz with ...