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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Bhel, black, blue: some thoughts on the inevitability and the curative power of the blues - Guest writer: Erwin Bosman

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By: Erwin Bosman, © 2012, www.myblues.eu _________________________________________________ In 2010, Peter Muir published his book “Long Lost Blues”, which David Evans qualified as “ One of the most important and original books on blues to be published in the past decade ” ( The Journal of Southern History ). Muir is, next to a scholar, also an internationally acclaimed pianist, composer, conductor, and, moreover, the cofounder and co director of the Institute for Music and Health in Verbank, New York, a nationally recognized center pioneering the use of music for well-being. He strongly beliefs in the fundamental beneficial power of music for health and wellbeing. It is thus no surprise that one of the chapters of his book elaborates the theory that the blues can cure the blues. Observing furthermore that the words ‘blue’ and ‘black’ derive ultimately from the same etymological source, namely, the Indo-European root ‘ bhel ‘, his argumentation leads him even to the mind...