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Showing posts with the label John Slaughter Blues Band

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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Cold Cold Feeling - John Slaughter Blues Band

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Chris Barber’s bands have almost always had a guitarist (as opposed to a banjoist) since Alexis Korner was a band member in 1949. In the 1950s American stars such as Sister Rosetta Tharpe, Muddy Waters, and Brownie McGhee (of Sonny Terry and Brownie McGhee) all played guitar with the band, as did Lonnie Donegan, Johnny Duncan, and Dick Bishop in the Skiffle Group. By the early 1960s, however, Chris realised he needed a permanent blues guitarist, and set about finding one. At about the same time a young musician was starting out on his hoped-for career, first playing five-string banjo, as his brother wanted a banjo player in his own traditional jazz band. A year later John Slaughter switched to guitar, and started to learn to play in a friend’s front room. The group’s drummer knew John Mayall (of Bluesbreakers fame) and John was asked to deputise in Mayall’s band one night, when the regular guitarist was ill. John remembers that he was not very well that night, but… Chris telephoned...