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Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Rockin' Pneumonia and the Boogie Woogie Flu-Huey Piano Smith

By Bman -
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Huey "Piano" Smith (born January 26, 1934, New Orleans, Louisiana) is an American rhythm and blues pianist whose sound was influential in the development of rock and roll. His piano playing incorporated the boogie styles of Pete Johnson, Meade Lux Lewis, Albert Ammons; the jazz style of Jelly Roll Morton and the piano playing of Fats Domino. Allmusic journalist, Steve Huey, also noted "At the peak of his game, Smith epitomized New Orleans R&B at its most infectious and rollicking, as showcased on his classic signature tune, "Don't You Just Know It." Smith was born in New Orleans' Garden District, and was influenced by New Orleans' piano innovator, Professor Longhair. He became known for his shuffling right-handed break on the piano that influenced other Southern players. Smith wrote his first song on the piano, "Roberson Street Boogie" (named after the street where he lived), when he was only eight years old, and performed the tun...
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