Bman's Blues Report

Audio Fidelity To Release 5.1 Multichannel Hybrid SACD of Mike Bloomfield - Al Kooper - Steve Stills 'Super Session' Album Mixed By Legendary Al Kooper! "...one of those albums that seems to get better with age...a super session indeed!" Camarillo, CA – Marshall Blonstein's Audio Fidelity will be releasing a limited numbered edition 5.1 Multichannel Hybrid SACD of the legendary Mike Bloomfield - Al Kooper - Steve Stills 'Super Session' album! Al Kooper was an A&R executive with Columbia Records in the early 1960's after leaving the group Blood, Sweat & Tears. The Super Session album was conceived as a jam session with Kooper on keyboards and former Paul Butterfield Blues Band member Mike Bloomfield on lead guitar along with veteran studio musician and Wrecking Crew member "Fast" Eddie Hoh on drums and Barry Goldberg, also on keyboards. Bloomfield was available during the first day of recording for Side 1 of the ...

Mark Pucci Media              I was privileged to hear an advance of the wonderful new 3 CD/1 DVD Michael Bloomfield set, "From His Head to His Heart to His Hands," coming out Feb. 4 from Sony/Legacy Recordings. Lovingly produced by Mike's longtime friend & cohort, Al Koo per, this new set is a treasure trove of all the great Bloomfield music we remember, and a lot we've never heard before, including his "audition" for then-Columbia Records A&R head John Hammond Sr., plus many previously unreleased cuts, including a live track from the 1980 Bob Dylan concert in San Francisco. In between, there's all the great music Bloomfield gave us on his solo albums, with the Butterfield Blues Band, Electric Flag, Super Sessions & tracks with Muddy Waters, Janis Joplin, etc. The DVD gives great insight into what made Bloomfield tick, and why he was so special. I got a chance to see/hear him play live ...

Robert Lee McCollum (30 November 1909–5 November 1967) was an American bluesman who played and recorded under the names Robert Lee McCoy and Robert Nighthawk. Born in Helena, Arkansas, he left home at an early age to become a busking musician, and after a period wandering through southern Mississippi settled for a time in Memphis, Tennessee. There he played with local orchestras and musicians, such as the Memphis Jug Band. A particular influence was Houston Stackhouse, from whom he learnt to play slide guitar, and with whom he appeared on the radio in Jackson, Mississippi. After further travels through Mississippi, he found it advisable to take his mother’s name, and as Robert Lee McCoy he moved to St. Louis, Missouri. Local musicians with whom he played included Henry Townsend, Big Joe Williams, and Sonny Boy Williamson. This led to two recording dates in 1937, the four musicians recording together at the Victor Records studio in Aurora, Illinois, as well as recordings under his ...

Paul Butterfield (17 December 1942 – 4 May 1987) was an American blues vocalist and harmonica player, who founded the Paul Butterfield Blues Band in the early 1960s and performed at the original Woodstock Festival. He died of drug-related heart failure. The son of a lawyer, Paul Butterfield was born in Chicago, Illinois and raised in the city's Hyde Park neighborhood. He attended the University of Chicago Laboratory Schools, a private school associated with the University of Chicago. After studying classical flute with Walfrid Kujala of the Chicago Symphony Orchestra as a teenager, he developed a love for the blues harmonica, and hooked up with white, blues-loving, University of Chicago physics student Elvin Bishop. The pair started hanging around black blues musicians such as Muddy Waters, Howlin' Wolf, Little Walter and Otis Rush. Butterfield and Bishop soon formed a band with Jerome Arnold and Sam Lay, both hired away from the touring band of Howlin' Wolf. In 1963, the r...

Michael Bloomfield's Guitars A Brief History • Page 2 The guitar most associated with Michael Bloomfield is a 1959 Gibson Les Paul Standard. With it, Bloomfield recorded his most successful records and developed his trademark "fat" tone. Photo illustration by D. Rowling 1967-69 The Legendary '59 Michael had heard guitarist Eric Clapton's work with Powerhouse, the Yardbirds and with John Mayall, and was eager to meet the British guitarist when the Butterfield Band arrived in London at the end of October 1966. He was particularly taken with Eric's sound on Mayall's "Bluesbreakers" LP, a record which had just been released that July. Clapton had recorded it with a newly-purchased Gibson Les Paul Standard , a model that Gibson had discontinued in 1960 because of poor sales. It differed from the more common Goldtop and Custom models in that it had been given the more traditional orange-and-brown color scheme – a look th...

In the spring of 1967, Mike Bloomfield acquired a 1959 Les Paul Standard, a model produced by Gibson between 1958 and 1960 with distinctive "sunburst" orange-and-brown coloring. Discontinued by Gibson after 1960, the guitar became hugely popular once Bloomfield began using one. Photo illustration by D. Rowling While many great guitar players were very particular – almost fastidious – about the instruments they played, Michael Bloomfield was different. He regarded his guitar as a tool, something that he could use to express himself, a means to an end. While he did favor certain makes and models over others, he was as likely to play a guitar found in a corner of a studio where he was recording as to use one of his more familiar instruments. He also had little regard for the care and maintenance of his increasingly valuable guitars, often schlepping his Les Paul or Telecaster to a gig without bothering to put it in its case. There are reports of Michael ta...

IN CELEBRATION OF Michael Bloomfield's 67th birthday anniversary, mikebloomfieldamericanmusic.com offers a video biography of the legendary guitarist, detailing his remarkable career with images, interview clips and music. Created by filmmakers Nick Lerman and Alex Wernquest, and site manager David Dann, this 10-part narrative begins with Bloomfield as a young, up-and-coming guitarist recording for John Hammond Sr., playing with Bob Dylan and joining the Paul Butterfield Blues Band. It then follows Michael as he creates the Electric Flag and performs to standing ovations at Monterey, records "Super Session" with Al Kooper and then pursues a career playing music on his own terms. Included are excerpts from previously unheard Bloomfield recordings as well as rare and seldom-seen photos of the guitarist. Please note that this video should not be confused with, and is not associated with, the soon to be completed feature documentary, "If You Love These Blues: The Life an...

Michael Bernard "Mike" Bloomfield (July 28, 1943 – February 15, 1981) was an American musician, guitarist, and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sung before 1969-70. Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time". Get Facebook support for your favorite band or venue - click HERE

Michael Bernard "Mike" Bloomfield (July 28, 1943 – February 15, 1981) was an American musician, guitarist, and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sung before 1969-70. Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time".

Michael Bernard "Mike" Bloomfield (July 28, 1943 – February 15, 1981) was an American musician, guitarist, and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sung before 1969-70. Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time". Get Facebook support for your favorite band or venue - click HERE

Michael Bernard "Mike" Bloomfield (July 28, 1943 – February 15, 1981) was an American musician, guitarist, and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sung before 1969-70. Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time". Get Facebook support for your favorite band or venue - click HERE

Michael Bernard "Mike" Bloomfield (July 28, 1943 – February 15, 1981) was an American musician, guitarist, and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sung before 1969-70. Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time". Get Facebook support for your favorite band or venue - click HERE

Michael Bernard "Mike" Bloomfield (July 28, 1943 – February 15, 1981) was an American musician, guitarist, and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sung before 1969-70. Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time". Get Facebook support for your favorite band or venue - click HERE

Michael Bernard "Mike" Bloomfield (July 28, 1943 – February 15, 1981) was an American musician, guitarist, and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sung before 1969-70. Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time". Get Facebook support for your favorite band or venue - click HERE

Michael Bernard "Mike" Bloomfield (July 28, 1943 – February 15, 1981) was an American musician, guitarist, and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sung before 1969-70. Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time". Get Facebook support for your favorite band or venue - click HERE

Michael Bernard "Mike" Bloomfield (July 28, 1943 – February 15, 1981) was an American musician, guitarist, and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sung before 1969-70. Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time".

Michael Bernard "Mike" Bloomfield (July 28, 1943 – February 15, 1981) was an American musician, guitarist, and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sung before 1969-70. Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time". Get Facebook support for your favorite band or venue - click HERE

Michael Bernard "Mike" Bloomfield (July 28, 1943 – February 15, 1981) was an American musician, guitarist, and composer, born in Chicago, Illinois, who became one of the first popular music superstars of the 1960s to earn his reputation almost entirely on his instrumental prowess, since he rarely sung before 1969-70. Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time" Get Facebook support for your favorite band or venue - click HERE .

The disappearance of Bloomfield's fabled '59 Les Paul Standard is the stuff of legend. Accounts vary from teller to teller, but the most likely scenario was recalled by Mark Naftalin. Michael had been hired by a Vancouver club for a week-long gig with Michael Bloomfield & Friends. Naftalin said in an interview for Wolkin & Keenom's "If You Love These Blues ..." that Bloomfield played the first few shows and then left, leaving one of his terse notes of apology behind. The club owner kept Michael's guitar as compensation for his losses, and Bloomfield did nothing to try to get it back. Mark could offer no reason for Michael's abrupt departure. One scenario for the Les Paul's disappearance takes place in the winter of 1974. It's possible that Michael abandoned his prize instrument during a five-day run from November 12-16, 1974, at an upscale night club in Vancouver called The Cave. The venue was an odd choice for Bloomfield's loosely str...

Ah Yes!!! Here it is! You gotta check out the disc. It's nice to see these out takes but the cd is the real deal... of particular note are Don't Throw your love on me so strong and No More Lonely Nights.