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Austin, 
TX:  Dubbed "the silver pompadoured, baritone beltin', Lone Star beer 
drinkin', honky-tonk hellraiser" by  The Austin 
Chronicle, Austin's hometown hero  Dale 
Watson is announcing the release of his new studio album,  Call Me Insane.  The album was recorded in 
Austin with veteran producer  Lloyd 
Maines (Robert Earl Keen, Jerry Jeff Walker) and will be released on  June 
9 in North America via  Red 
House/Ameripolitan Records on CD, digital, and vinyl.  Watson is the 
torchbearer for "real" country music and has christened his brand of American 
roots music “Ameripolitan” to differentiate it from the current crop of 
Nashville-based pop country. Embracing Honky-tonk, Outlaw, Texas Swing and 
Rockabilly, Dale is a direct musical descendent of Johnny Cash, Waylon Jennings, 
Merle Haggard and all the great Texas roots artists. Dale’s song  “I 
Lie When I Drink” was featured on  NPRs All Songs Considered’s podcast of SxSW 
artists that they're excited to see and Dale has a full SxSW schedule, including 
an appearance TONIGHT on  ABC’s 
 Jimmy Kimmel Live from SxSW when he’ll join 
the JKL house band Cleto and the Cletones broadcasting live from SxSW. The show 
will air this evening on ABC; check here for regional stations and air times:  http://abc.go.com/shows/jimmy-kimmel-live. Dale will also MC 
the first SxSW “Ameripolitan” showcase featuring the best of Rockabilly, Texas 
Swing, Outlaw Country and Honky-tonk music. (Scroll down for a complete SxSW 
schedule and tour dates.)  
  
Album 
highlights include “Jonesin’ 
For Jones,” a love song to the music of the legendary George Jones; “A 
Day At A Time,” a song about "getting by by barely getting by";  “Call 
Me Insane,” the album’s moody title track; “Bug 
Ya For Love,” a fun warning to all the single ladies;  “Mamas 
Don’t Let Your Cowboys Grow Up To Be Babies” is the only cover song on the 
album (written by Tony Joe White/Ed and Sally Bruce) and yes, it is an answer 
song to the Waylon Jennings/Willie Nelson hit. “Crocodile 
Tears” is a tear-in-your-beer country song that sounds like an instant 
classic and “Burden 
Of The Cross” reveals Watson’s serious side. 
  
Call Me Insane was recorded in Austin by 
Watson and his ace touring band, “His 
Lone Stars”: Don Pawlak (pedal steel), Mike Bernal (drums & percussion), 
and Chris Crepps (upright bass & background vocals). Dale plays electric 
guitar throughout. They were joined in the studio by Danny Levin on piano,  Jon 
Blondell (trombone), Joey Colarusso (saxophone), and Ricky White (trumpet), aka 
the Honky-tonk horn section. “Doing over 300 shows a year and a plethora of 
recording projects through the years, the Lone Stars are a part of me as much as 
my right hand, he says. "They know what I want them to play on my songs before I 
even know.” Maines also added acoustic guitar as well as production 
ideas. 
  
“Having 
known Lloyd over 20 years and worked with him as a musician, I knew he was 
a great guy and picker," Watson says. "But having Lloyd produce your record is 
like letting your mom in your kitchen. You know you gonna like what comes out 
and it's amazing how such basic ingredients can be made even better. He is an 
artists' artist.” 
  
The 
admiration is mutual. "I've been a Dale Watson fan since I played steel guitar 
on some of his early records," Maines says of the sessions. "My early musical 
influences are the same as Dale's. We both grew up playing 'real' country music. 
Dale is one of a very short list of today's artists who still keeps it 
'real country.' I'm honored that he asked me to produce his new record. I think 
he knew that I would maintain the integrity of his passion for the 
music."  
  
Since 
the release of El Rancho Azul in 2013, Watson’s profile has risen considerably 
via appearances on The Late Show with David Letterman (CBS), PBS 
series Austin City Limits and The Sun Sessions, and trading quips as a 
guest on NPR’s Wait Wait... Don’t Tell Me. A veteran touring 
artist, he and His Lone Stars work hard, performing over 300 shows a year. 
Watson also put his money where his heart is and took over ownership of two 
struggling Texas honky-tonks, the Little Longhorn Saloon in Austin (home of 
Chicken $#!+ Bingo) and The Big T Roadhouse in St. Hedwigs (outside San 
Antonio).  If not on the road, he and His Lone Stars perform at one of them each 
Sunday. Already in 2015, Watson was part of The BADDEST of the BAD Tour with the 
Reverend Horton Heat and has recorded segments for Sirius XM Outlaw Country, NPR’s Woodsongs Old Time 
Radio Hour, Music City Roots, and NPR Mountain Stage. A national tour to 
support the record’s release will begin in late June.  
  
The 
Alabama-born, Texas-raised Watson may be the hardest working entertainer today 
and is rapidly  approaching legendary status.  He carries the weight of his love 
for Ameripolitan music proudly on his shoulders and tirelessly spreads its 
gospel.  Call Me Insane is a well crafted 
example of an artist at the top of his game, having fun with every living moment 
of life’s experiences with a focus on that of the honky-tonks.  It’s the 
soundtrack of dance halls and beer joints - places Watson loves.  But beware, he 
lies when he drinks… 
  
  
RECENT 
KIND WORDS: 
"I am Dale Watson's biggest fan." - 
Willie Nelson 
  
“Country music’s a crazy, gold-diggin’ whore, and Dale Watson 
wants a divorce.”  - 
The Austin Chronicle  
  
“Watson plays genuine roots music that would do 
Hank proud.  And Watson is proud to spread the word about keeping it real with 
the Ameripolitan Music Awards, named after the term he coined to describe 
American roots music.  The awards recognize artists whose work hours roots 
traditions  without conforming to the current watered-down definitions of 
‘country’ music.” - 
KUTX 
  
“Graced with a deep, fluid George Jones-ish voice, 
Watson was mesmerizing, whether making fun of The Voice’s faux-country judge on 
“Old Fart (Song For Blake)” or simmering through a train-chugging original such 
as “My Baby Makes Me Gravy.” - The 
Philadelphia Inquirer  
  
“Nothing else is Dale Watson.  In he strode in a long 
black Cash-worthy coat with long leather cuffs and a tux shirt.  His white hair 
was ship’s prow, or perhaps a mighty iceberg.  And his Telecaster guitar, 
festooned with silver coins of every size and denomination, glinted in the 
footlights.  All through, Dale’s banter was loose and wry.  His guitar tone was 
just platonically perfect.  And his band, notably Don Pawlak on pedal steel, 
cohered into the very essence of country music.” - Music 
City Roots   
  
“To call Dale Watson’s music country is like calling 
Ray Charles’ music soul ... both have an air of authenticity that transcends 
genres and demands that they be put into a class of one.  Ray Charles is gone, 
but you can see Dale Watson…"-  
The Troy Record  
  
"...he proved that he is the real deal,  and when it 
comes to tradition, sometimes you can't get too much of a good thing."   
- Country 
Standard Time  
  
"This songwriter prides himself on crafting 
authentic, old-school country music, which he does quite masterfully.  Watson 
definitely nails the old-school country star persona." - 
No Country For New Nashville  
  
" He’s spent the past two decades proving there are 
still powerful tales to be told from the honky-tonk pulpit, and he's brought 
that message to the faithful.” - 
The Nashville Scene 
  
  
DALE 
AT SXSW 2015: 
  
WED 
3/18 
Jimmy Kimmel Live! (ABC) - taping from 4:30 
pm to 7:30 pm; a limited number of tickets are available,  
  
Austin, 
TX @ The Saxon Pub/Ameripolitan Official SXSW Showcase - evening 
Dallas 
Wayne (8pm) 
Earl 
Poole Ball (8:35pm) 
Rosie 
Flores (9:10 pm)  
Mark 
Stuart (from The 
Bastard Sons Of Johnny Cash - 9:45pm) 
Ray 
Benson (of Asleep 
At The Wheel - 10:20pm) 
Amber 
Digby (10:55pm) 
Jesse 
Dayton (11:30pm) 
Bill 
Kirchen (12:05am) 
Suzy 
Boggus (12:40am) - doing a set of Merle Haggard songs backed by The Lone 
Stars 
Dale 
Watson & His Lone Stars, (1:15am) 
finale 
w/anyone left standing (1:40am) 
  
TH 
3/19 
Austin, 
TX @ The Highball - 8pm 
KDRP 
Live At Mercado - 5pm 
Austin, 
TX @ Holy Mountain/Atomic Music Group Official SXSW Showcase - 
midnight 
  
FR 
3/20 
Austin, 
TX @ The Broken Spoke - 9:30pm 
Atomic 
Music Group Day Party @ C-Boys Heart & Soul- 3pm  
Sirius 
XM Outlaw Country w/Mojo Nixon  - 5 
pm 
  
SA 
3/21 
Luckenbach, 
TX @ Luckenbach Dance Hall - 12:30pm 
Mason, 
TX @ The Odeon Theater - 7pm 
  
SU 
3/22 
Austin, 
TX @ The Little Longhorn Saloon (Chicken $#!+ Bingo) 
  
ABOUT 
DALE WATSON 
Dale 
Watson is a honky tonk hero and country music maverick, a true outlaw 
carrying on where Waylon 
Jennings left off. A member of the Austin 
Music Hall of Fame, he stands alongside Waylon Jennings, Willie 
Nelson, and George 
Strait as one of the finest country singers and songwriters from the Lone 
Star State. 
  
Although 
Dale has made his name as a Texas artist, he actually was born in Alabama. 
Moving to Houston as a teenager, his musical journey began right out of high 
school as he started playing clubs and local honky-tonks. In 1988, it led him to 
move to Los Angeles on the advice of rockabilly singer-guitarist Rosie 
Flores. He played in the house band at the legendary Palomino 
Club in Hollywood for a couple years and recorded a few singles before 
moving to Nashville to write songs for a publishing company run by Gary 
Morris (writer of such country/pop hits as “The Wind Beneath My Wings”). 
Commercial country did not fit the fiercely independent songwriter so Dale 
relocated to Austin, Texas where he got a record deal and wrote several songs 
poking fun at the industry side of Nashville, including “Nashville Rash” from 
his Hightone debut Cheatin’ Heart Attack and 
“A Real Country Song” from his 1996 follow-up Blessed or Damned.  
  
After 
making three albums with Hightone, Dale released The Trucking Sessions on Koch Records in 1998. Including 14 original driving songs, 
the album received high praise and caused critics to compare him to 
chart-topping writer Red 
Simpson, who was responsible for some of the most iconic trucking tunes in 
country music. 
  
Just 
two years after this success, Dale’s fiancee died in a car accident. As 
chronicled in the Zalman 
King documentary Crazy Again (2006), he turned to drugs and 
alcohol to cope with her loss and nearly died of an overdose. Dale then checked 
himself into a mental institution and left a year later, releasing his tribute 
album to her called Every Song I Write Is For 
You (2001). After recording a few more 
albums, he decided to take a break from touring and moved to Maryland to be 
closer to his daughters. 
  
Back 
in Texas and on the road in 2006, Dale has been trucking ever since, touring 
around the world and acting in films ( The Thing Called Love, On the Borderline), on 
television ( Friday Night Lights) and most recently, on 
stage in  Ghost Brothers of Darkland County, a southern 
gothic musical by  Stephen 
King and  John 
Mellencamp . His rumbling baritone has also been heard on commercials for  Shell, Monster.com and  On 
the Border Restaurants. 
  
Dale 
signed with Red House Records in 2011 to release his 20th album called The Sun Sessions. Hailed as “one of the best 
country albums of the year” (Atlanta Journal 
Constitution), it was recorded at Memphis’ legendary Sun 
Studios with The 
Texas Two (bassist Chris 
Crepps and drummer Mike 
Bernal) in the stripped-down style of Johnny Cash’s earliest recordings. He 
followed this with El Rancho Azul, 14 fresh honky-tonk originals 
about marriage, heartbreak and honkytonkin'.”   
  
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