| 
 
  
  
  
  
Austin, 
TX: Dale Watson, keeper of the true country music flame, will 
be featured on the next episode of NPR's 
Mountain Stage. The episode will premiere on Friday, 
April 3; click here for stations and airtimes. Watson will be previewing new 
songs from his upcoming release Call Me Insane, a new studio album recorded 
in Austin with veteran producer Lloyd 
Maines (Robert Earl Keen, Jerry Jeff Walker, etc.) The album will be 
released on June 9 in North America via Red 
House/Ameripolitan Records on CD, digital, and vinyl. Dubbed "the silver 
pompadoured, baritone beltin', Lone Star beer drinkin', honky-tonk hellraiser" 
by The Austin Chronicle, Watson  recently sat 
in with Jimmy Kimmel’s house band as a guest on Jimmy Kimmel Live (ABC) from SXSW. He also emceed the first ever SXSW 
“Ameripolitan” showcase featuring the best of Honky-tonk, Outlaw Country, 
Rockabilly and Texas Swing music.  
  
Album highlights 
include “Jonesin’ 
For Jones,” a love song to the music of the legendary George Jones, “A 
Day At A Time,” about “getting by by barely getting by;” “Call 
Me Insane,” the album’s moody title track; “Bug 
Ya For Love,” a fun warning to all the single ladies, and “Mamas 
Don’t Let Your Cowboys Grow Up To Be Babies.” (Yes, it is an answer song to 
the Waylon Jennings/Willie Nelson hit.) “Crocodile 
Tears” is a barstool weeper that sounds like an instant classic and “Burden 
Of The Cross,” a reference to the tragic death of Watson's fiance in a car 
crash, show's his serious side. 
  
Call Me Insane 
was recorded in Austin by Watson and his ace touring band, “His Lone Stars”: 
Don Pawlak (pedal steel), Mike Bernal (drums & percussion), and Chris Crepps 
(upright bass & background vocals). Dale plays electric guitar throughout 
and Lloyd Maines added acoustic guitar. They were joined in the studio by Danny 
Levin on piano and the Honky Tonk Horns: Jon Blondell (trombone), Joey Colarusso 
(saxophone), and Ricky White (trumpet).   
  
Since the release 
of El Rancho Azul 
in 2013, Watson’s profile has risen considerably via appearances on The Late Show with David Letterman 
(CBS), Austin City Limits and The Sun Sessions (PBS) and as a guest on NPR’s 
Wait Wait... Don’t Tell Me and American 
Routes. A veteran touring artist and consummate entertainer, he is on 
the road more than 300 days a year. He also put his money where his heart is and 
took over ownership of two struggling Texas honky-tonks, the Little Longhorn 
Saloon in Austin (home of Chicken $#!+ Bingo) and The Big T Roadhouse in St. 
Hedwigs (outside San Antonio).  If not on the road, he and His Lone Stars 
perform at one of them each Sunday. 
  
Dale has flown 
the flag for classic honky-tonk for over two decades. He’s christened his brand 
of American roots music "Ameripolitan” to differentiate it from current crop of 
Nashville-based pop country. The Alabama-born, Texas-raised Watson may be the 
hardest working entertainer today and is rapidly approaching legendary 
status.  He is a country music maverick, a 
true outlaw who stands alongside Waylon Jennings, Willie Nelson, and George 
Strait as one of the finest country singers and songwriters from the Lone Star 
State. 
 www.DaleWatson.com www.facebook.com/Official-Dale-Watson www.twitter.com/TheDaleWatson www.Ameripolitan.com www.twitter.com/ameripolitan
  RECENT 
KIND WORDS: “I’m one of Dale’s biggest fans.  - 
Willie Nelson   “Country music’s a crazy, gold-diggin’ whore, and 
Dale Watson wants a divorce.”   - 
The Austin Chronicle 
  “Graced with a deep, fluid George Jones-ish voice, 
Watson was mesmerizing, whether making fun of The Voice’s faux-country judge on 
‘Old Fart (Song For Blake)”’or simmering through a train-chugging original such 
as ‘My Baby Makes Me Gravy.’”  - 
The Philadelphia Inquirer 
  “Nothing else is Dale Watson. In he strode in a long 
black Cash-worthy coat with long leather cuffs and a tux shirt.  His white hair 
was ship’s prow, or perhaps a mighty iceberg. And his Telecaster guitar, 
festooned with silver coins of every size and denomination, glinted in the 
footlights.  All through, Dale’s banter was loose and wry.  His guitar tone was 
just platonically perfect.”   - Music 
City Roots  
  “To 
call Dale Watson’s music country is like calling Ray Charles’ music soul ... 
both have an air of authenticity that transcends genres and demands that they be 
put into a class of one.  Ray Charles is gone, but you can see Dale 
Watson…" - The 
Troy Record 
  "...he proved that he is the real deal, and when it 
comes to tradition, sometimes you can't get too much of a good thing."    
 - Country 
Standard Time    "This songwriter prides himself on crafting 
authentic, old-school country music, which he does so quite masterfully. Watson 
definitely nails the old-school country star persona." - 
No Country For New Nashville 
  " 
He’s spent the past two decades proving there are still powerful tales to be 
told from the honky-tonk pulpit, and he's brought that message to the 
faithful.”  - 
The 
Nashville Scene
 
  For Dale’s full tour schedule, 
please visit www.dalewatson.com 
or www.redhouserecords.com.  | 
No comments:
Post a Comment