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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Ronnie Earl. Show all posts
Showing posts with label Ronnie Earl. Show all posts

Monday, May 8, 2023

Regina Royale Records artist: Diane Blue All-Star Band - Live! At The Fallout Shelter - New Release Review

I just had the opportunity to review the most recent release, Live! At The Fallout Shelter, by  Diane Blue All-Star Band and it's a funky blues party. Opening with I Got A Good Thing and a cool R&B feel, Diane Blue on vocal gets things rolling with Lorne Entress on drums, Dave Limina on Hammond and Chris Vitarello on guitar. Reggae infused blues track, I Cry has a real nice feel with Limina setting up a cool bass line  (on keys) under Diane's solid vocal phrasing. Vitarello lays in a real nice guitar solo with fluid runs and gripping punctuation. Guitar virtuoso, Ronnie Earl takes center stage on slow blues, Leave Me Alone and of course he has some of the sweetest blues phrasing on the planet. Frequently paired with Diane, I think that he brings out the best in her. This is a deeply soulful track with warm Hammond work by Limina and of course an excellent solo by Earl and Vitarello. My favorite track on the release. Blues rocker, Take A Look is a strong radio contender with a great melody, really nice vocals by Diane, a slick solo by Vitarello and great balance overfall. Shuffle, I'm Gonna Get You Back, really is a great track with Diane hitting the groove. Vitarello and Limina both lay down some somking riffs making this a real great track. Wrapping the release is high strung, Push On Through, with Diane really swinging. Vitarello shows excellent dexterity and chops on guitar and Limina turns up the heat on Hammond making this an excellent closer. 



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Tuesday, January 17, 2023

Goldenlane Records artist: Ben E. King - Supernatural Soul - New Release Review

 I just had the opportunity to review the newest release, Supernatural Soul, by Ben E. King and it's solid. Opening with classic, Stand By Me, King on lead vocal is joined by Bette Smith on vocal and Ronnie Earl adding his clean virtuosity on guitar. Bassmaster, Bootsy Collins fires up a strong riff on Supernatural Thing, Part I under soulful vocals by King. Spanish guitar master, Rafael Riqueni joins King adding an authentic flavor to another classic hit. I really like King's cover of Ashford and Simpson's, I Had A Love. Kings vocals are full and soulful, floating on a bed of guitar, synthesizer and warm backing vocals. Very nice. Wrapping the release is Drifters Medley featuring This Magic Moment/Dance With Me//There Goes My Baby/Save The Last Dance For Me. Kings vocals are smooth and fresh with tight instrumental backing. Solid closer for a solid release. 


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Friday, December 3, 2021

Delmark Records artist: Dave Specter - Six String Soul - New Release Review

 I just had the opportunity to review the most recent release, Six String Soul, a double cd release by Dave Specter and it's great. Celebrating 30 years on Delmark, with remastered recordings from throughout his career and celebrating many guests. Opening with Buzz Me Specter on guitar, is joined by Barkin Bill Smith on vocal and Ronnie Earl on guitar as well as Ken Saydak on organ, Dez Desormeaux on sax, Red Groetzinger on sax, Mike McCurdy on bass and John Hiller on drums. Very cool. Specter really stretches out nicely on solo guitar on slow blues, Railroad Station. Smith, on lead vocal does a real nice job and Bob Stroger on bass anchors the track. Saydak's piano is a nice accent and sax soloing by Groetzinger is really nice. I really like instrumental, Specter's Walk, with it's deep jazz groove. Specter cruses on guitar, Desormeaux's sax solo is rich, and Saydak's organ work is strong. Tad Robinson has lead vocal on Sweet Serenity. I've always been a fan of Robsinson's vocals and Specter really gets this track swinging on guitar. Very nice. West Side Stroll is another terrific instrumental, showcasing Specter's dynamic guitar style. Backed by Mike McCurdy on bass and Mark Fornek on drums, another great track. Seventy-Four is a strong slower blues with Willie Kent on lead vocal and bass. This is the style of track that really gets Specter in the slot. His lead soloing is tops and with Fornek on drums, another highlight of the release. Lynwood Slim has the mic on Get Back Home, a strong shuffle. Mike Scharf on bass, Barrelhouse Chuck on piano and Fornek on drums hold a tight bottom and Specter nails it on guitar. Very nice. Kenny Lynn really adds depth to the release with his powerhouse vocals on Blues On My Mind and Rob Waters' organ solo is dynamite. Low slung, In Too Deep, features Sharon Lewis on lead vocal and Specter's guitar doing his talking. With Brother John Kattke on piano, Harlan Terson on Bass and Marty Binder on drums, this is a great shuffle. The Blues Ain't Nothin' features a cool pairing of Specter and Jorma Kaukonen on lead guitars with Harlan Terson on bass, Marty Binder on drums, Kattke on keys and lead vocal, Mars Williams on sax, John Janowiak on trombone and Ron haynes on trumpet. Wrapping the release is Ballad of George Floyd with Specter on guitar and vocal with Billy Branch on vocal and harmonica backed by Danny Shaffer on acoustic guitar and Brother John Kattke on organ. This is a really terrific retrospective and a great addition to your collection. 


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Wednesday, June 2, 2021

VizzTone Label Group artist: Deb Ryder - Memphis Moonlight - New Release Review

 I just had the opportunity to review the most recent release (June 11, 2021), Memphis Moonlight, by Deb Ryder and it's a cool, R&B based blues release packed with talent. Opening with I'm Coming Home, a sassy R&B track features Ryder on lead vocal with Tony Braunagel on drums, Johnny Lee Schell on guitar, Mike Finnigan on B3, Travis carlton on bass, Mark Pender on trumpet and some super sax riffs from Joe Sublet. Cool opener. With a bluesier feel and a touch of gospel on These Hands, Ryder really hits the groove vocally and Alastair Green's addition on slide is a super perk. Schell's backing vocals and the addition of Pieter Van Der Pluijm on harmonica adds real texture. Driving rocker, Blues Is All I Got had a solid bass line by Schell andwith Braunagel on drums and van Der Pluijm on harmonica. Classic slow blues, Love Is Gone is a real standout giving Ryder a chance to show the richness of her vocals and featuring the king of blues guitar phrasing, Ronnie Earl, with a nice extended solo. Just Be Careful is another uptempo blues number with Schell on lead slide guitar and Ryder working the blues nicely. Second Chances is a cool track with country influences with the addition of Joey Delgado on guitar, Steve Delgado on backing vocal, David Hidalgo on accordion and Steve berlin on sax. Very cool. Wrapping the release is Most of All a smooth ballad, again playing into the strength of Ryder's vocal strength and with Ronnie Earl playing melodic lead guitar to a very simple bottom with Braunagel, Schell and carlton on bass. Very nice closer. 


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Monday, October 12, 2020

Cleopatra Records artist: William Shatner - The Blues - New Release Review

I just had the opportunity to review the most recent release, The Blues, from William Shatner, yes that William Shatner. What's it like...you'll have to see for yourself.  Opening with blues classic, Sweet Home Chicago, Shatner teams up with Brad Paisley who throws down some cool blues and country riffs along with Jurgen Engler on guitar, bass and banjo, Chris Lentz on keys and Adam Hamilton on drums, bass, guitar and harmonica. Shatners vocals are freeform and emotional. Otis Rush's I Can't Quit You Baby, features Kirk Fletcher who runs some real nice glues riffs of his own and manages Shatner's freeform vocals nicely. Cream's Sunshine of Your Love is up next, mostly in spoken word and I gotta say that Hamilton's work on drums is exceptional and Landreth wails on slide. Deep Purple's Ritchie Blackmore takes BB King's, The Thrill Is Gone to the next level and Shatner's vocals are as relaxed as I've ever heard on this track. Pat Travers screams on guitar on Screamin Jay's, I Put A Spell On You and Shatner keeps his cool with almost shouted lyrics. I think that Smokestack Lightning with Steely Dan and Doobies' Jeff Skunk Baxter is my favorite track on the release with Shatner "sing" crying where he almost sounds high. Baxter doesn't let up a bit with slashing guitar riffs. With a serious nature, As The Years Go Passing By, Shatner seems to be performing a play (Like Jack Palance singing country) and featuring Arthur Adams with sweet soloing. The track that I find best suited to Shatner on the release is In Hell I'll Be In Good Company with Albert Lee. His spoken work is animated and Lee's guitar work is spry. Actually very cool. Wrapping the release is Secrets Or Sins, with a whisper like vocal and a shuffle rhythm. I really am not sure what Shatner was trying to do with this release, but it got my attention.




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Wednesday, October 7, 2020

Stony Plain Records artist: Ronnie Earl & The Broadcasters - Rise Up - New Release Review

 I just had the opportunity to review the most recent release, Rise Up, from Ronnie Earl & The Broadcasters and it's smokin! Opening with a simple, acoustic guitar cover of traditional I Shall Not Be Moved, gives you no clues that Earl is about to open a can of Whoop on us. Shuffle, Higher Love, with a solid intro by Earl and Dave Kimina on B3 gives the stage over to super blues vocalist, Diane Blue and she fits like a glove. Settling down into a super groove laid out by Kimina on B3, Forrest Padgett on drums, Paul Kochanski on bass and Peter Ward on guitar, Earl really steps up with some of his beautiful blues phrasing. Fenton Robinson's R&B track, You Don't Know What Love Is is a super platform for Blue and Earl. Blue's vocals are perfectly suited for this style of music and her feel and sense of timing are super. Blues For Lucky Peterson is the first of a number of slow blues tracks where Earl really stretches it out. Busting out at over 10 minutes, you get enough powerful, guitar emotion on this one track to warrant the cost of admission, and there's more to come. Excellent! One of my favorite tracks on the release is Lil Green's, In The Dark which not only brings out the best in Blues' soulful vocal style, but also plays nicely to Earls own guitar strength. Very nice. Soulful gospel track, Lord Protect My Child, is really strong with powerful vocals by Blue that sometimes remind me of the Queen of Soul and excellent B3 work by Limina, reinforcing that gospel flavor. Very nice. Talking To Mr. Bromberg is another excellent slow blues giving Earl an excellent opportunity to show that extraordinary guitar phrasing that he is known for. The tension is thick. Blues For J is an excellent shuffle that gives Limina a nice bit of time center stage. Wrapping the release is Navajo Blues, the last of the slow blues instrumentals on the release. Earl continues to put out terrific releases with deep blue guitar emotion. Excellent. 



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Wednesday, June 3, 2020

VizzTone Label Group artist: Tyler Morris - Living In The Shadows - New Release Review

I just had the opportunity to review the most recent release, Living In The Shadows, from Tyler Morris, and it's a cool blues rocker. On this, his second release, Morris plays lead guitar and sings with band mates Terry Dry on bass, Matthew Robert Johnson on drums and Lewis Stephens on B3 and Wurlitzer. Gary Moore's hard driving rocker, Movin' On, sees the band on full tilt with Morris throwing every rock based riff you can think at it. Quick fingered runs, and bends with just a bit of distortion to make it sound dirty gives this track it's sting. Joe Louis Walker and Mike Zito guest on vocals on Tony Joe White's Polk Salad Annie. Maintaining that original swamp rock feel this is a cool track with Morris working the slide nicely  over the steady drumming of Johnson. Bluesy ballad, Temptation, is Morris' best showcase of his vocal strength and Stephens' B3 enhances the tension giving Morris a nice platform to play melodic blues runs on guitar. Amanda Fish steps up to the mic on blues rocker, Better Than You adding some real nice R&B style vocal texture. Morris keeps a cool rhythm line and lays in double stop riffs adding just the right pepper to possibly my favorite track on the release. Boogie track, Why Is Love So Blue, has a great bottom end and the grinding guitar riffs of Morris gives it that Texas swagger. Original track, Young Man's Blues has a real nice bass drone with solid vocals by Morris and a strong guitar exchange between Morris and the stellar Ronnie Earl. Taken From Me is another of my favorite tracks on the release with it's lightly funked up rock beat that I associate with Mountain and early Leslie West. With a real nice drum beat by Johnson, straight up vocals and fat guitar accents by Morris, a nicely balanced track. Wrapping the release is a driving boogie, I'm On To You, with a thumping bass line and tight drums giving the track a meaty feel. Morris sets it up nicely and slams it home on this one with just the right amount of slash, making this an excellent closer. 

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Friday, July 12, 2019

Severn Records artists: The Texas Horns - Get Here Quick - New Relese Review

I just had the opportunity to review the most recent release, Get Here Quick, by The Texas Horns and it's smokin'! Opening with Guitar Town, a real Texas style blues, cooked up with  Anson Funderburgh and Johnny Moeller on guitars and Gary Forsyth on lead vocals. Kaz Kazanoff on tenor, John Mills on bari and Al Gomez on trumpet and this track is hot. With a bit of New Orleans flavor, Instrumental, Feelin' No Pain is all horns to the floor with excellent piano work by Red Young, bass by Russell Jackson and Tommy Taylor on drums. Mills lays out and excellent sax solo and Moeller shows why he is regarded as one of the top bluesmen in Texas today. Title track, Better Get Here Quick is another instrumental with rich tandem sax lead and excellent guitar accents by Moeller. Gomez steps up with some crisp lead work of his own and Youngs takes a nice few bars of his own. Very cool. An excellent New Orleans style instrumental, 2018, has a super march style snare lead by John Bryant with Chris Maresh on bass and again featuring excellent work by Moeller and Connolly. Gomez's trumpet is bright and punchy. Very nice. Curtis Salgado is up front on lead vocals on Sundown Talkin'. His vocals are always soulful and stellar and this track is no exception, being clearly the radio track on the release. The horns flex their muscle through out and excellent accents by Moeller give the track a great presence. Instrumental, Funky Ape really gives Kaz, Al and John a chance to play and they push you back in your seat. Excellent! Wrapping the release is Truckload of Trouble, a springy, instrumental with a solid horn melody and with a cool muted trumpet interlude by Gomez, and a sweet sax lead by Kaz as well. Ronnie Earl is featured on lead guitar adding a bluesy component to an otherwise driving horn composition. This is a real cool outing for the Texas Horns. Enjoy! 

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Friday, June 21, 2019

Gandy Dancer Records artist: Peter Ward - Train To Key Biscayne - New Release Review


I just had the opportunity to review the most recent release, Train To Key Biscayne, from Peter Ward and it's energetic. Opening with The Luther Johnson Thing, Luther Guitar Junior Johnson is upfront on lead vocal with Peter Ward on guitar, Mudcat Ward on bass, Neil Gouvin on drums and Anthony Geraci on piano. A cool shuffle with slick guitar lead, nice harp and excellent vocal phrasing, a super opener. Laid back, almost country styled, title track, Train To Key Biscayne features Sugar Ray Norcia on lead vocal and Jiri Nedoma on piano. Ward's warm guitar soloing backed by the sax work of Aaron Gratzmiller gives it a cool retro feel. One of my favorite tracks on the release is Blues Elixir (Ronnie's Here) featuring Ward on lead vocal and really nice trademark guitar lead work by Ronnie Earl. Backed by Nedoma on piano and with solid harp work by Norcia, this is a really cool track. Johnny Nicholas is up front on lead vocal on Change (Ain't Never For The Good) and features excellent guitar work by Ward and a solid harp solo by Norcia. Geraci really gets the keys workin on this one and the drum reinforcement by Gouvin solidifies the natural swing. Very nice. Brisk swinger, As Long As I Have A Chance, again features Norcia on lead vocal and gives Ward and Geraci a great platform to showcase their soloing. Wrapping the release is Anthony's Son, a very clean guitar melody with Ward strumming chorded melody. Very nice closer for a very cool release.


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Thursday, October 25, 2018

Shining Stone Records artist: Anthony Geraci - Why Did You Have To Go - New Release Review

I just had the opportunity to review the most recent release, Why Did You Have To Go, from Anthony Geraci, and it's rich. Opening with R&B title track, Why Did You Have To Go, Sugar Ray Norcia is upfront on lead vocal backed by Michael Mudcat Ward on bass, Marty Richards on drums, Sax Gordon on sax, Doug Woolverton on trumpet and with stellar guitar styling by Monster Mike Welch and piano wizardry by Anthony Geraci. Excellent opener. Bluesy ballad, Angelina, Angelina is really strong with really nice piano work by Geraci and lead vocals by Sugaray Rayford. Welch is back again with signature tone, backed by Willie J Campbell on bass and Jimi Bott on drums. Very nice. Soul track, Two Steps Away From The Blues, features Michelle "Evil Gal" Willson on lead vocal with warm piano and B3 work by Geraci. Norcia is back on vocal and harp on Time's Running Out, an easy shuffle, joined by nice pace piano work by Geraci and the strong guitar accents by Ronnie Earl. One of my favorite tracks on the release is Baptized In The River Yazoo with Willie J Laws on piano duet with Geraci. The piano work here is terrific. Another track with dazzling piano is Too Many Bad Decisions with Dennis Brennan on lead vocal and Welch on guitar. Slow blues, My Last Good-Bye digs in deep with Norcia on vocal and harp. Piano tension and guitar excellence (by Earl) really gives this track edge, making it another of my choices for the release. Wrapping the release is jazzy A Minor, Affair with Troy Gonyea and Geraci leading the foundation of the track which features nice trumpet and sax solos by Wooverton and Beadle and a flight fingered guitar solo by Kid Ramos. Excellent closer for a strong release. 

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Thursday, December 14, 2017

Gandy Dancer Records artist: Peter Ward - Blues On My Shoulders - New Release Review

I just had the opportunity to review the most recent release, Blues On My Shoulders, from Peter Ward and it's quite good. Opening with solid shuffle, She Took It All, Peter Ward on guitar and lead vocal sets a great pace with Mudcat Ward on bass, Neil Gouvin on drums and Sugar Ray Norcia on harp. Excellent opener. Surf rocker, Which Hazel, is a solid rocker along the lines of Chuck Berry with a strong surf twist. Clever lyrics and guitar riffs by Ward give this track a lot of gas. On title track, Blues On My Shoulders, Anthony Geraci adds nice piano and I particularly love the guitar work by Monster Mike Welch. Collaborate is all about lush chords and sassy sax and Ward's guitar work with Sax Gordon Beadle's sax work is just that. Excellent! Shuffle track, It's On Me is another outstanding entry on the release with a hot sax solo from Beadle and hot fingering from Ronnie Earl and Ward. Very nice. Southpaw is a hot number with a smoking B3 solo from Rusty Scott, solid bass work from George Dellomo, and hot guitar riffs by Ward.  One of my personal favorites on the release is jump track, Kansas City Blues featuring great vocals, a strong bass line by Joe Delia and really nice soloing by Ward. Wrapping the release is Drummin' Willie, about Willie Big Eyes Smith with Neil Gouvin on druma, Mudcat on bass and Sugar Ray Norcia on harp. This is a strong release with a lot of cool surprises. Check it out. 

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Monday, October 9, 2017

Guitar Master Ronnie Earl Set to Release New CD, "The Luckiest Man", on November 17 from Stony Plain Records

Guitar Master Ronnie Earl Set to Release New CD, The Luckiest Man, on November 17 from
Stony Plain Records
 Stony Plain Records proudly announces the November 17 release of the latest CD from multi Blues Music Award-winning guitarist Ronnie Earl and his band, the Broadcasters, The Luckiest Man. Ronnie Earl calls the album, “A traditional blues album of remembrance, love, and unwavering resolve to live with faith and gratitude.” The new disc was recorded at Woolly Mammoth Studios, Waltham, Mass.; Keep the Edge Studio, Quincy, Mass.; and in Groton, Mass.

Listen to a sample of The Luckiest Man here: http://bit.ly/WatchLuckiestMan
On The Luckiest Man, Ronnie and the Broadcasters, both current as well as some of the earliest members, contribute to the new album, which follows the sudden loss of Jim Mouradian, the band’s beloved bass player following a show in January. Mouradian was also a respected guitar luthier, family man and a gentleman. This musical journey through loss and healing can be felt in the hauntingly beautiful “Death Don’t Have No Mercy,” and in Ronnie’s tender tribute to his brother on “Jim’s Song.” Life moves ever onward in the pulse and beat of “Heartbreak,” and faith takes hold in “Never Gonna Break My Faith.” For the song, “Long Lost Conversation,” Ronnie is reunited with some of the earliest Broadcasters and current members of Sugar Ray and the Bluetones, who were on his first albums in 1983, all of whom contributed to this truly being a family band project: Sugar Ray Norcia – vocals, harp; Anthony Geraci – piano; Mike Welch – guitar; Neil Gouvin – drums; Michael "Mudcat" Ward – double bass & Fender bass.

The title of the album, The Luckiest Man, is a phrase and response spoken by Jim Mouradian who always lived with gratitude in his heart and who never wasted a moment of his life: “I’m the luckiest man you know — and I don’t even know who you know.” 

Besides the original songs on The Luckiest Man, Ronnie Earl puts his own, indelible stamp on interpretations of “Ain’t That Loving You,” “So Many Roads” and “You Don’t Know What Love Is.”

In addition to Ronnie Earl on guitar, the Broadcasters include Dave Limina – piano and Hammond B3; Diane Blue – vocals; Forrest Padgett – drums; and Paul Kochanski – bass. Guest musicians on the new disc also include Nicholas Tabarias – guitar; Mark Earley – baritone sax;
Mario Perrett – tenor sax; and Peter Ward – guitar.

They say that you can’t keep a good man down and that inner resolve is both heard and felt within each song on The Luckiest Man, Ronnie Earl’s twenty-fifth album and his eleventh on Stony Plain Records. Since 1983, Ronnie Earl has released a series of traditional blues albums, often interlaced with jazz, gospel and soul offerings; however he has always returned home to his “mother music” which is traditional blues. Ronnie Earl continues to be one of the most emotive blues guitarists today, whose musical voicings deal with loss and healing, gratitude and love, compassion and passion. Indeed, it is those emotional touchstones within his music, which is so beautifully reflected in the swirl of colors expressed in artist Tom Noll’s painting of Ronnie on the cover.

The Luckiest Man confirms Ronnie Earl's status as one of the most soulful blues/soul/jazz guitarists working today. He is a three-time Blues Music Award winner as “Guitar Player of the Year,” a DownBeat magazine winner for “Blues Album of the Year,” an Associate Professor of Guitar at Berklee College of Music and has taught at the National Guitar summer workshop in Connecticut. 





The Luckiest Man Track Listing

1.      Ain’t That Loving You           5:38
Don D. Robey, Manitou Music (Canada)
2.      Southside Stomp         4:13
Ronnie Earl, Mr. Earl Publishing, BMI
3.      Death Don’t Have No Mercy 6:00
Gary Davis, Chandos Music Company
4.      Jim’s Song       3:00
Ronnie Earl, Mr. Earl Publishing, BMI
5.      Heartbreak (It’s Hurtin’ Me)  6:43
Jon Thomas & Carlee Hoyless, Songs of Universal Inc.
6.      Howlin’ Blues 4:11
Traditional arranged and adapted by Ronnie Earl, Mr. Earl Publishing, BMI          
7.      Never Gonna Break My Faith            5:25
Andrea Remanda, Eliot John Kennedy & Bryan Adams, Remandamusic & Badams Music Limited
8.      Long Lost Conversation         10:15
R. Norcia, Norcia Publishing, BMI
9.      Sweet Miss Vee          4:16
Ronnie Earl, Mr. Earl Publishing, BMI
10.  Blues for Magic Sam  5:24
Ronnie Earl, Mr. Earl Publishing, BMI
11.  So Many Roads          10:52
Paul Marshall, Arc Music Corporation

12.  You Don’t Know What Love Is                     4:04
Fenton Robinson, Eyeball Music

Monday, August 28, 2017

Boston-Based Guitarist Peter Ward Sets October 20 Release Date for His New CD, "Blues on My Shoulders," on Gandy Dancer Records; Special Guests Include Ronnie Earl, Sugar Ray & the Bluetones and Sax Gordon Beadle



Boston-Based Guitarist Peter Ward Sets October 20 Release Date for His New CD, Blues on My Shoulders, on Gandy Dancer Records

Special Guests Include Ronnie Earl, Sugar Ray & the Bluetones and Sax Gordon Beadle

BOSTON, MA – Guitarist Peter Ward announces an October 20 release date for his new CD, Blues on My Shoulders, on Gandy Dancer Records. Besides Ward on guitar and vocals, special guests on the new disc include multiple Blues Music Award-winning guitar legend Ronnie Earl, Sax Gordon Beadle on sax and the members of Sugar Ray and the Bluetones: Sugar Ray Norcia (vocals and harmonica), “Monster” Mike Welch (guitar), Anthony Geraci (piano), Michael “Mudcat” Ward (Peter’s brother – bass) and Neil Gouvin (drums). 

“It pleases me to present Blues on My Shoulders, my first solo project,” Peter Ward says about the new album. “I wrote the words and music to 12 of the 13 songs. I grew up wearing out the vinyl records trying to understand how Robert Jr. Lockwood, Tiny Grimes, Louis Meyers and Jimmy Rogers made songs sound so good. It's what I wanted to do. I was lucky to sit in often with my friend (and former roommate) Ronnie Earl and play alongside many of my musical heroes. A highlight was touring with the Legendary Blues Band: Joe Willie ‘Pinetop’ Perkins, Willie ‘Big Eyes’ Smith, Calvin ‘Fuzz’ Jones and Jerry Portnoy, who had brilliantly backed Muddy Waters for years. The way they played blues was everything I believed in, then and now. Willie Smith was an inventive drummer — and a wily character. I pay tribute to him in the song, ‘Drummin' Willie.’ The track ‘Which Hazel’ is my homage to Chuck Berry. Sugar Ray Norcia honored me by singing the heck out of ‘Collaborate,’ a tribute to Lockwood and Lonnie Johnson. I appreciate that Ronnie Earl and Sax Gordon Beadle accepted my invitation to perform on two songs: ‘A Little More’ and ‘It's On Me.’ ‘Southpaw’ is my ode to lesser-known left-handed swing guitarist Dickie Thompson, who worked with organist and front man Wild Bill Davis. My instrumental, ‘Shiprock,’ reminds me of a hallowed part of Navajo country I visited with my wife Mai Cramer, who died of breast cancer in 2002 and previously hosted a popular blues program every weekend for 24 years on WGBH-FM. She was an avid supporter of the blues and its purveyors. I think she would have liked Blues on My Shoulders. I hope you do.”

As a teenager growing up in Lewiston, Maine, Peter and his brother Michael (“Mudcat”) listened intently to blues records and went to see Muddy Waters, Buddy Guy, Junior Wells, Taj Mahal and Hubert Sumlin whenever they performed in the area. Peter played blues with Mudcat and did gigs also with his younger brother Jeff, who died in 1991. “Jeff was too young to drink, but club owners would let him in so he could play bass with New York City drummer Ola Dixon and me,” Ward recalls.

Ward later moved to Boston and played in various bands, frequently sitting in with Sugar Ray & the Bluetones, who then featured his brother and Ronnie Earl, and backed blues artists such as Jimmy Rogers, Eddie ‘Cleanhead’ Vinson and Lowell Fulson.

“In the Big Apple, I was thrilled when Otis Rush told me I played chords like an ‘old man,’ Ward remembers. “In 1978, each week I drove across I-90 to Rochester, N.Y. to play blues for three nights with guitarist-vocalist Joe Beard. Beloved there, Joe had once been a neighbor of Son House. In the 1980s, I loved everything about touring with the Legendary Blues Band — the traveling and camaraderie, but especially the way we played blues in an unhurried, improvisational way. We recorded a CD for Rounder Records that featured Duke Robillard, whose brilliant guitar I had first heard at a high school dance.


“I married Mai Cramer, who spun records for Boston station WGBH-FM every weekend from 1978 until 2002, when she died of breast cancer. Her fans and I stage a fundraiser in her honor each spring for charity at the Regent Theatre in Arlington, Mass. Headliners have included Jody Williams, Luther ‘Guitar Junior’ Johnson, Lurrie Bell, Ron Levy and Eddie Taylor, Jr. In 2010, I produced Goodbye Liza Jane: Hello Western Swing, a CD of western swing (a cousin to the blues) with Herb Remington, an original member of Bob Wills and his Texas Playboys. In recent years I've begun writing songs, as I culled the many snippets of melodies and phrases stuck in my mind. It's fun to turn thoughts into songs and then sing them while people dance. It's been a blast, and it's not over.”

Tuesday, July 26, 2016

Guitar Legend Ronnie Earl Is Right at Home on "Maxwell Street," New Stony Plain Records Album Coming September 9




Guitar Legend Ronnie Earl Is Right at Home on Maxwell Street, New Stony Plain Records Album Coming September 9

EDMONTON, AB – Stony Plain Records announces a September 9 release date for Maxwell Street, the new CD from three-time Blues Music Award winner as “Guitarist of the Year,” Ronnie Earl and his band, the Broadcasters.

Maxwell Street is named in honor of the late blues pianist and previous member of the Broadcasters, David Maxwell, and is also a nod to Chicago’s famed Maxwell Street, where blues musicians gathered to play outside for the Sunday market crowds.

Ronnie Earl and the Broadcasters are: Ronnie Earl – guitar; Lorne Entress – drums; Dave Limina – piano and Hammond B3 organ; Jim Mouradian – bass; and Diane Blue – vocals. Special guest guitarist on the album is Nicholas Tabarias. Maxwell Street was produced by Ronnie Earl and recorded at Wellspring Studios in Acton, Massachusetts, and Wooly Mammoth Studios in Waltham, Mass. Ronnie formed his band, the Broadcasters, in 1988.

“This album is dedicated to my big brother David Maxwell,” says Ronnie Earl. “We were born on the same day ten years apart. His playing was as deep as the ocean, as high as the sky and as bright as a quasar. When he passed, I felt a huge loss as I still do. David was a Broadcaster and he and I made a few records together. It was always a supreme honor to play with him. He played blues as well as jazz with incredible expression from Otis Spann to Cecil Taylor. He knew and loved it all. He became Otis Spann in the later years. Our pianist David Limina wrote a tune (“Elegy for a Bluesman”) that captures the feeling of the album and we all send our love and respect to David’s family and all of our love and gratitude for David Maxwell.”

Maxwell Street showcases 10 tracks, including six originals, plus exciting covers of songs by Otis Rush (one of Ronnie’s main musical mentors), “Double Trouble;” Gladys Knight (“I’ve Got to Use My) Imagination;” Eddy Arnold, “You Don’t Know Me;” and the blues/soul chestnut, “As the Years Go Passing By,” which closes the album.

Ronnie and the band performed a special set at the recent Chicago Blues Festival in honor of Otis Rush. In his review of that concert, DownBeat writer Jeff Johnson singled out Ronnie for praise: “Perhaps the most heartfelt expression came from the guitar of Ronnie Earl. His playing was a study in economy, yet electrifying enough to make the hairs on your neck stand on end on the seminal Rush tune, “Double Trouble.”

Ronnie Earl and the Broadcasters are also represented with a track on the new Stony Plain special 3-CD set, 40 Years of Stony Plain, which salutes the label’s four decades of the best in roots, rock, folk, country and blues music. To commemorate Stony Plain’s anniversary, Ronnie Earl recorded this short video about their relationship: 




“Ronnie Earl is one of the most sensitive, refined and exquisite guitarists on the international blues scene.” - Living Blues.   


Current Ronnie Earl and the Broadcasters Tour Dates

Aug. 14                 Mystic Blues Festival                                                      North Stonington, CT
Aug. 19                 White Mountain Boogie ‘n Blues Festival              Thornton, NH
Sept. 18                Pennsylvania Blues Festival                                         Lake Harmony, PA




Tuesday, July 12, 2016

40 Years of Stony Plain - New release review

I just had the chance to review the new 3 CD set, 40 Years of Stony Plain and it's a super bag of super recordings and unreleased music.

CD One called Singers, Songwriters and much more features tracks by Colin Linden; Spirit of the West; Corb Lund; Doug Sham; Harry Manx & Kevin Breit; Emmylou Harris; James Burton, Albert Lee, Amos Garrett, David Wilcox; New Guitar Summit; Rodney Crowell; Valdy & Gary Fjellgaard; Jr. Gone Wild; Tom Hus; Ian Tyson; Jennifer Warnes; Steve Earle; & Eric Bibb featuring Taj Mahal, The Blind Boys of Alabama and Ruthie Foster. This CD has a real rural feel with folk, country and grassy feel. Louis Riel by Doug Sham is a super track with a Tex Mex country sound. Rockabilly, That's Alright by James Burton and crew is another standout. New Guitar Summit's Flying Home throws a bit of swing jazz in with super nice flavor. Tim Hus's Wild Rose Waltz has real traditional country feel and is pure as snow. Eric Bibb and crew deliver a really rural rural Needed Time featuring Taj Mahal on vocals and breaking into a very sophisticated gospel style track . This is an excellent closer for Dics 1.

CD Two called Blues, R&B, Gospel, Swing Jazz and even more is full of huge names. Kenny "Bues Boss" Wayne, Joe Louis Walker, Rosco Gordon, Ronnie Earl and the Broadcasters, Mauria Muldair featuring Taj Mahal, Long John Baldry, Paul Reddick, Monkeyjunk, Jay McShann, Jeff Healey, Billy Boy Arnold, Rory Block, Big Dave McLean, Ruthie Foster, Sonny Rhodes, Jim Byrnes, Amos Garrett, Ellen McIlwaine,and king Biscuit Boy. Opening with Blues Boss on Bankrupted Blues and followed by Joe Louis Walker on Eyes Like a Cat this CD is smoking right off the top. Ronnie Earl gets a classic blues going on It Takes Time and a more contemporary blues rocker Monkeyjunk rips on Mother's Crying. Jay McShann has a really nice blues/jazz run on Goin' To Chicago and Big Dave McLean's Atlanta Moan is masterful. Ruthie Foster is one of the new artists that is in a class on her own, delivering on Keep Your Big Mouth Closed and Sonny Rhodes shuffle track, Meet Me At The 10th Street Inn in a slick blues romp. Wrapping disc 2 is King Biscuit Boy's Blue Light Boogie... always a favorite.

 CD Three is Rarities and Previously Unreleased Material opening with hot potato Ain't Gonna Do It by Duke Robillard. In My Girlish Days shows Maria Muldaur really grinding in her classic seductive style followed by her classic I Belong To The Band. David Wilcox really does a great job on acoustic instrumental, Uptown Bump, followed by 2 super tracks, I Hate That train and All Night Long by the terrific Sam Chatmon and his Barbeque Boys. Wrapping this disc and the entire package is Walter "Shakey" Horton with Hot Cottage playing a deep fried Shakey's Edmonton Blues. This is an excellent closer for a really super set. Congratulations to Stony Plain for assembling a great package.


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Monday, January 25, 2016

Big Blue Records artist: Barbara Blue - Memphis Blue - New Release Review

I just received the newest release, Memphis Blue: Sweet, Strong, & Tight from Barbara Blue and it's got soul. Opening with J McShann's Hands Off, a rumbling R&B style track Barbara Blue gets it rolling taking the lead on vocal, and backed by Bobby Rush on harp, Jason Yasinsky on trombone, Joe Spake on bari sax, Lannie McMillan on sax, Marc Franklin on trumpet, David Smith on bass, Michael Tols on guitar, Rev Charles Hodges on B3, Lester Snell on whirlitzer and Steve Potts on drums. On No Time To Cry, Barbara gets a nice Kid Wilson swampy feel and with Ronnie Earl on guitar and backed by Shontelle Norman and Sharisse Norman on vocals, it's on of my favorites on the release. Two stepper, Rudy's Blues has real nice trumpet work from Dedrick Davis and a snappy beat, courtesy of Potts. Voodoo Woman has a real nice bass groove set in place by Smith and The Royal Horns punch up the track. Cody Dickinson adds washboard and Sonny Barbato spices it up with accordion. Bluesy Me & Jesus is another of my favorite tracks with a gospel feel. Barbato's piano work on this track and Hodges B3 work really set the stage for Barbara's soulful vocals. Rolling Up On Me has a cool Memphis funk feel, low on horns but high on B3. Nice phrasing by Blue and a tight guitar solo from Earl makes this the radio track to follow. Very nice! R&B track, Love Is After Me, has a real drive and The Royal Horns really punch it nicely. Backing vocals from the Norman's give it super warmth. Coat & Hat has a real Tex Mex feel and a sleeper track on the release featuring solid vocals and cool accordion work from Barbato. Title track, Sweet, Strong, & Tight, has a cool sway and tight horns from Royal horns punching the back. Spake's Bari work, Steve Graham on trombone and Bobby Rush back on harp give this track real texture. Another R&B track, I'm Gonna Tear Your Playhouse Down, is another solid radio contender. With it's killer melody and smooth horn work, very nice. SuperBlues has a cook funkified rock back beat and a cool harp solo from Rush. Driving bass work from Smith sets the tone. Memphis Stomp has super horn vamp and Barbara kicks the vocals up a notch supported by Hodges on B3. Wrapping the release is 800 Mile Blues, a really stripped down blues number featuring Ronnie Earl on guitar and Blue on vocal. Excellent closer.



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