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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Ronnie Earl. Show all posts
Showing posts with label Ronnie Earl. Show all posts

Thursday, August 27, 2015

Regina Royal Records artist: Diane Blue - Blues In My Soul - New Release Review

I just received the newest release, Blues In My Soul, from Diane Blue and it's really good! Blue has teamed up with blues guitar superman, Ronnie Earl and it's a beautiful match. Opening with That's What They Call The Blues, a wicked loper, Blue throws out some ultra thick vocals and Earl unleashes the dog on his strat. Joined by Lorne Entress on drums, Dave Limina on keys and Jesse Williams on bass, this track is a killer. On Nina Simone's Do I Move You, Blue gets into a more introspective space with nice piano work from Limina and a really nice guitar solo from Bobby Gus. Bobby Womack's Nothing You Can Do has a gospel swing featuring yet another side of Blue's voice and backed by John Moriconi on trumpet and vocals, Scott Shetler on sax and soul style vocal backing by Toni Lynn Washington. Excellent Lil Green blues track, In The Dark is on of the absolute standout tracks on this release. Blue stands solid delivering a modern vocal rendition of this classic blues number, backed by Mr Earl. Limina adds just the right balance of piano and B3 over Gus' rhythm chords as Earl plays some of the most soulful lines you'd ever want to hear. Excellent! Another track made famous by Nina Simone, I Love Your Lovin' Ways gets a strong R&B flavor. This is a great switch up after such a soul searcher and Gus lays in some real tasty guitar riffs over the hot key work of Limina and great vocal blending of Washington. Someday Soon opens with a beautiful B3 intro by Limina and staying in the R&B vein, Blue's vocals, complimented nicely by Shetler on sax leads to a nice harmonica solo by Blue herself. Gus spanks the guitar with his beautiful articulation on this track giving it a definite blues kick. Excellent! Aretha Franklin's Soulville, has a real 60's sound with hot sax work from Shetler and trumpet highlights from Moriconi. Following a fun track another Franklin track, Today I Sing the Blues, an absolutely excellent rendition of the queens classic. Is Blue Franklin... no. She doesn't need to be. She is an excellent singer and does an excellent job on this track teamed up again with master guitar man Ronnie Earl. Masterful gospel style B3 from Limina adds just the right amount of tension and Earl drives this train right up to the edge. Excellent! Another track made popular by Nina Simone, Day and Night, gets a lighter pop touch with a driving bass line from Williams, and cool guitar riffs by Gus and harmonica from Blue woven throughout. I Can't Shake You is a solid soul track featuring warm, heartfelt vocals from Blue. Earl, controlled but ever on top, plays really nice guitar solos throughout the track as punctuating landmarks in a war sea of sound created by Limina on keys. More to a country 2 stepper Blue pulls out Man About Town, a track that could easily see cross radio play. JLL style piano work by Limina is off the hook with tight drum work from Entress. Driving bass lines by Williams and Blue's own harmonica work highlight the track, topped off by Gus' flashy rock styled guitar riffs. Ballad, Cry Daddy,is another track that could easily be radio bound. Rich B3 backing throughout and a nice guitar solo from Gus gives the track additional texture. Wrapping the release is a funky Koko Taylor track, Jump For Joy. Blue trades vocals with Washington on this horn saturated track and a cool bass solo from Williams is a nice intro to Limina's B3 interlude. Moriconi and Shetler add horn punch and Earl steps up with a smoker of a solo of his own. Solid conclusion to one of the best releases I've heard this year!



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Wednesday, December 31, 2014

Appaloosa Records artist: Fabrizio Poggi & Chicken Mambo - Spaghetti Juke Joint - New Release review

I just received the newest release, Spaghetti Juke Joint from Fabrizio Poggi & Chicken Mambo and it's a blast! Opening with Sonny Boy Williamson's Bye Bye Bird, Poggi on harp and lead vocals has the joint hopping already. Guitar riff master Enrico Polverari really drives the boogie and with reckless abandon... Boogie! Up next is Slim Harpo's King Bee with a New Orleans feel set up by the drum march styling of Gino Carravieri. Claudio Noseda lays down a really nice piano base and guitar slide king Sonny Landreth trades terrific riffs with Poggi. Excellent! Another boogie track, Little Milton's The Blues Is Alright is a special track being one of the best versions of this track that I have heard. Featuring the smooth guitar flair of Ronnie Earl, driving bass lines of Tino Cappelletti and strong back beat of Caravieri this track is cool! Original track, Devil At The Cross Road, has a real nice gait and stinging guitar riffs from Polverari. Excellent! On Junior Parker's Mystery Train, Noseda lays down some soft organ work and Poggi really lays on the harp. This is Chicago blues as it was when it was. Polverari shows he really knows how to grind the fretboard. Very cool! Tom Waits' Way Down In The Hole has a bit of a Latin feel and nice backing vocals. Poggi squeezes the harp with a seasoned hand, making it cry the blues. Again Polverari steps up and blows the doors open with his hot guitar riffs. Smooth. Sonny Boy's Checkin' Up On My Baby is a straight up 12 bar with a nice groove. Polverari takes full command with great blues riff prowess. Poggi lays back in the groove and rides the wave. Excellent! Blind Lemon Jefferson's One Kind Favor takes a Tex/Latin rhythm with strong blues overtones. Poggi handles vocals nicely and trades really slick riffs with Polverari making this one of the coolest tracks on the release. Bob Margolin feeds a hungry slide guitar on Mojo, a funky blues track backed by Noseda on organ. With excellent riffs from Margolin, Polverari and Poggi's classic harp styling, this track rocks! Even BB King's Rock Me Baby gets a taste of Latin. Noseda adds some New Orleans flavor with accordion and does a really nice job with a funky piano solo as well. Poggi and Polverari both take their turn on solo and never waste a note. Very nice! Nobody takes a very basic blues feel and builds it with rolling harp riffs from Poggi and additional lead vocals from Sara Cappelletti who really adds some spice. Polverari is hot on the frets with stinging lead guitar work and Tino C has the bass hopping. Another excellent track! I Want My Baby has strong New Orleans style rhythms reinforced by Stefano Spina on percussion and Claudio Bazzari on slide guitar. It needs to be pointed out that there is quite a bit of nice slide work on this release by a number of different players. Carravieri gets a chance to open up his drum kit for a tight solo... love it! Wrapping the release is Big Joe William's Baby Please Don't Go, in fairly traditional style but with back beat drumming by Carravieri. Poggi leads the way out on harp. This is quite an excellent release and one that I highly recommend.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Tuesday, July 22, 2014

Playin' in the the Sand with Ronnie Earl & the Broadcasters

During a recent sand sculpture competition on Revere Beach north of Boston, one contestant tied together his love of Ronnie Earl and the Broadcasters with his sand sculpture building skills. Check out this work by Prince Edward Island artist Abe Waterman. Sure beats my work with a little bucket!


Thanks Mark Pucci

Wednesday, June 18, 2014

Ilana Katz Katz - I've Got Something To Tell You - New release review

I just received the newest release, I've Got Something To Tell You, from Ilana Katz Katz, and it's quite good. I'll preface this review with a note that this release is strongly bluegrass/ rural feel and has a unique open look at the blues. Opening with Marilyn's Blues Ronnie Earl and Katz trade riffs (guitar and violin) over a solid blues bass line by Jesse Williams. Very nice. On John Lee Hooker's She's Long She's Tall, a strong sense of Hooker and boogie underlies this updated version of a classic blues track. Katz is on lead vocal and violin and Earl provides percussive guitar rhythm. On traditional track Cruel Willie Blues, Katz really takes the lead on what I'd call a traditional fiddle tune, joined by Marylou Ferrante on guitar for a simple country instrumental. Robert Lockwood Jr.'s Take A Little Walk With Me features Diane Blue on lead vocal and she does a really sweet job. Ronnie Earl is back on lead guitar, this track falling square in his wheel house. Really nice. Another traditional tune, Old Medeira Waltz pairs Katz with Dotty Moore for a very sweet fiddle duet. Shove the Pig's Foot A Little Further In The Fire is a continuation of the duet but with a fun, country/Irish reel feel. If you like simple country /bluegrass style tunes, this is really well done. PB Cracker Blues again pairs Ronnie Earl with Katz on a 12 bar blues jam. Earl takes the lead and Katz stays with him on the melody but when it comes to the solo, Earl and Katz each step up their game and make strong statements. Conan's Farewell was written in memory of Katz's deceased cat. A playful tune with only fiddle and rhythm guitar by Ferrante it is relaxing and nicely articulated. Runnin' in Peace is written in response to the bombing at the Boston Marathon and the writers personal experience being there. This is my favorite track on the release with super deep roots guitar riffs from Earl and wailing vocals by Diane Blue. Excellent! Another traditional bluegrass track, Johnny Don't Get Drunk pairs Katz with Ferrante on banjo. This track is a lot of fun and well executed. Memphis Minnie's Ain't Nothin' In Ramblin'/Frisco Town finds Ferrante on vocal and guitar with Katz on fiddle. Delivered with a lot of feeling but maintaining the rural country feel these tracks stand out on their own. Wrapping the release with a traditional fiddle tune, Piney Ridge, Katz goes it alone showing pure mastery of country / bluegrass fiddling. This is a different kind of blues release but one that I find quite entertaining. Want something different with a country blues feel. This is it!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Monday, June 9, 2014

Stony Plain artist: Ronnie Earl and the Broadcasters - Good News - New Release Review

I just received the newest release (June 17, 2014), Good News, from Ronnie Earl and it's really strong! Opening with I Met Her On That Train, an instrumental country finger pickin' infused track Earl is pushed down the track by relentless chugging by Lorne Entress on drums. Very Cool. Sam Cooke's Change Is Gonna Come featuring Diane Blue on lead vocal. I remember early in my music blog writing that I was questioned, then applauded for featuring this same track by Mr Mike Farris, one of today's absolutely top vocalists. The challenge was this being such a perfect track and how anyone else could actually do it justice (and he certainly does). Well, Blue really nails it and between her excellent phrasing and Earl's beautiful guitar work backed hardily by Entress, Dave Limina on keys and Jim Mouradian on bass, this track not only belongs, it stands up really well as not a cover but a hair raising excellent interpretation capable of carrying an entire release. Excellent! Time To Remember is a soothing jazzy blues instrumental with rich chord work, cool bass runs from Mouradian and a nice B3 interlude from Limina. Buddy Guy and Junior Wells' In The Wee Hours is up next, again featuring Blue on vocals. Such a sensuous tender blues guitar interlude isn't recorded very often. Earl is an absolutely excellent guitarist and has a brilliant sense of blues expression. Complimented on this track by Zach Zunis also on lead guitar, this band lays down some of most record worthy modern blues I have heard this year. Weighing in at over 10 short minutes, this track is over in moments. Title track Good News is a gospel revival type track spearheaded by Limina on B3. Celebrating 50 years since Sam Cooke's Ain't That Good News release, Entress plays march strong and Earl punches the track with quick bursts of biting guitar riffs. Debbie Blanchard and Earl write another beautiful melody for Six String Blessing, really reminding me melodically a lot of a Roy Buchanan composition. This is a really sweet track with lead vocals by Blue and generous soloing on B3 by Limina and spacious solos from Earl. Ronnie has a feel for blues delivery that I rarely see in his contemporaries. Rarely a grand stander, Earl just sits back and lets the blues roll from his fingers like rain from the sky... yes...again 9 minutes just floats by. Beautiful! Marje's Melody, another beautiful instrumental guitar ballad played with such feeling and patience. Earl continues to set new bars and defy expectations. I really don't know how he continues to bring forth such rare feeling. I am typically enriched to hear one track of this quality in a month. This release is packed! Blues For Henry has a bit more of a traditional blues sound but retains Earl's signature sound. Limina plays a very soulful solo on this track constantly urging Earl on to the next level. Earl busts it loose on this track reminiscent of Bloomfield breaking from a quiet blues moment to a super crescendo. The blues are deep here! This release is relentlessly great! Puddin' Pie gets a super loping swing groove going and Earl plays with the syncopation at his back making it an absolutely perfect foot stomper. Ilana Katz and Earl composed the final track, Runnin' In Peace, which has the flavor of John Lee Hooker. This is deep primitive (by design) blues with a simple beauty. Blue is highlighted on vocal on this track and along with a round bass lead from Mouradian and cool B3 work from Limina, Earl tears the floor up again with flame thrower like heat and accuracy making this a spectacular choice for the conclusion of one of the best releases of the year.... without a doubt.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Monday, May 19, 2014

Western Maryland Blues Fest in Hagerstown, MD

19th Annual Western Maryland Blues Fest 2014
Like us on Facebook! Follow us on Twitter! Watch us on YouTube! Subscribe to our RSS!  
Buy tickets now!
May 29–June 1

17 bands, 4 big days,
$50 Fri/Sat Combo Tickets*
— Best Value!

 Get your tickets now!

The Western Maryland Blues Fest roars into its 19th big year in Hagerstown, MD! Come celebrate with four jam-packed, jumpin’ days filled with music from national, regional & local performers!

These are just some of the great artists you’ll hear throughout the festival…

Ronnie Earl

Ronnie Earl and the Broadcasters


Legendary blues guitarist Ronnie Earl brings his celebrated band back to Hagerstown for a special show. Having played alongside such greats as B. B. King, Stevie Ray Vaughan, Carlos Santana, Eric Clapton, Muddy Waters, and Otis Rush, Ronnie’s guitar speaks with an authoritative blues voice that only a veteran player can summon!
Ian Siegal

Ian Siegal & Band


Be part of one of the first American audiences to hear this multiple British Blues Awards winner! Ian’s May 31 Hagerstown performance culminates his first-ever U.S. tour! Don’t miss this songwriter’s exciting new blues, conveyed in the traditional Delta blues style, all the way from across the pond!
Eric Steckel

Eric Steckel Band


A young blues veteran, a powerful player with an authentic blues soul, Eric is already hailed by many as one of the next big things in bluesrock! Eric Steckel is a must see and must hear for fans of SRV, Jimi Hendrix and Joe Bonamassa.
Doug Macleod

Doug Macleod


Performing in the tradition of the blues as a story-telling medium, acoustic guitarist, Doug MacLeod, has been nominated for THREE (3) 2014 Blues Music Awards, including Acoustic Artist of the Year, Acoustic Album of the Year and Blues Song of the Year. Giving a FREE Sunday performance in City Park, come see what all the fuss is about!
Mingo Fishtrap

Mingo Fishtrap


WOW! What’s in a name? Well, this Texas-based large ensemble will give you a sweet soulful style of rhythm and blues, including plenty of horns. Describing its sound as “the space where melodic pop meets gritty Memphis soul, with a twist of N’awlins funk,” Mingo Fishtrap’s tenacious groove is central to its sanctified mission to shake your soul.

19th Annual Western Maryland Blues Fest Schedule


Thursday, May 29—Blues Prelude 5:00 p.m. to 7:00 p.m.

University Plaza, 50 West Washington Street, Downtown. Free admission. Lawn chairs and blankets encouraged! Gates open at 4:00 p.m. ID required. No smoking venue.

Don’t miss the Blues Fest Poster Art Exhibit opening, featuring this year’s artist, Matt Long! The exhibit will be held at the Washington County Arts Council at 36 South Potomac Street from 6:00 p.m. to 9:00 p.m.

Friday, May 30—Lotta Blues Kickoff 4:30 p.m. to 10:00 p.m.

City Center Lot, North Potomac Street. $20 in advance* and $30 at the gate. Children 12 and under free with paying adult. Gates open at 4:00 p.m. ID required.

Saturday, May 31—Downtown House Party Noon to 9:30 p.m.

City Center Lot, North Potomac Street. $35 in advance* and $45 at the gate. Children 12 and under free with paying adult. Gates open at 11:00 a.m. ID required.

Sunday, June 1—Family Blues Picnic Noon to 5:00 p.m.

City Park Bandshell. Free admission. Lawn chairs and blankets encouraged. No smoking venue.

While you’re at Blues Fest…


 Visit the Maxwell Street Market area of the festival for plenty of food, drink and
specialty vendors.
 Kids Jam, Too in the HUGE children’s area design just for them! It’s their very own
playground filled with music, crafts, activities and more on Sunday.
 Grab a limited 19th anniversary edition t-shirt, hat, or other Festival gear from
the Blues Boutique.


*Transaction fee of $5.00 per ticket applies in advance sale tickets. Schedule and artists subject to change. No chairs, coolers, food or beverages may be brought into the festival area Friday or Saturday. No animals (except service animals) and no audio/video recording permitted at any time during the festival. All packs, parcels and bags subject to inspection.
Supported in part by: City of Hagerstown, Maryland State Arts Council and Washington County Arts Council.

Thursday, May 15, 2014

Ronnie Earl Hears Some "Good News" in Memphis at the Blues Music Awards; New CD for Stony Plain Records Set for Release on June 17



Ronnie Earl Hears Some Good News in Memphis at the Blues Music Awards;
New CD for Stony Plain Records Set for Release on June 17




EDMONTON, AB – Ronnie Earl, “The Stratocaster Master,” got some great news in Memphis last week when he was named as Best Guitarist at the 35th annual Blues Music Awards, and then proceeded to put a prominent exclamation point on that accolade with an absolutely mesmerizing live performance that saw him joined by Kim Wilson, Bob Margolin and Dave Keller, resulting in a standing ovation. Now, the multiple Blues Music Award-winner has some more Good News to share with his legion of fans around the world via the June 17 release by Stony Plain Records of his latest tour de force CD.

On Good News, Ronnie Earl is joined once again by The Broadcasters (Lorne Entress – drums, Dave Limina – keyboards and Jim Mouradian – bass), his band of over 25 years, to create a mostly instrumental CD of spellbinding intensity and deep soul that will add to his growing collection of landmark albums. Produced by Earl and recorded at Wellspring Sound in Acton Mass., Good News also includes special guest Diane Blue, whose captivatingly soulful vocals add further power to several of the tracks, as well as guitarists Nicholas Tabarias and Zach Zunis.

Good News is Earl’s eighth album for Stony Plain Records, and it clearly demonstrates, once again, the deep respect and knowledge he has for his peers and mentors. Along with a majority of original songs, Ronnie salutes several of his influences with loving interpretations of Sam Cooke’s “Change Is Gonna Come;” “Blues for Henry,” a tune co-written with the legendary Hubert Sumlin; and the Junior Wells composition, “In the Wee Hours.” The album’s closer, “Runnin’ in Peace,” features lyrics written by Ilana Katz Katz, who was near the finish line of the Boston Marathon when the first bomb exploded on April 15, 2013.

The new album’s title celebrates Sam Cooke's album, Ain't That Good News, released 50 years ago in 1964.  After having been arrested down South in 1963 he was inspired to write the song, “Change is Gonna Come,” which he recorded in 1964. He later appeared on The Tonight Show days before the Beatles were on The Ed Sullivan Show.  Cooke was shot and killed at the end of 1964, and the song “Change is Gonna Come,” became a rallying cry for the civil rights movement. 

Ronnie Earl has been part of the music scene for many years. Deeply inspired by Muddy Waters, T-Bone Walker and Otis Rush, he started playing guitar in the mid-1970s. He formed his own band The Broadcasters in 1988. Along the way, he went on to tour the world with The Allman Brothers Band, Santana, and playing festivals with Ray Charles, B.B. King and Etta James.

“My greatest love in music is the blues; this is my ‘mother music,’” he says.  “And I dig deep — I have no choice; playing, for me, is a very emotional experience. I put every particle of my soul into it. I’m just trying to get into peoples’ souls and reach their humanity.”

Ronnie Earl and The Broadcasters are booked exclusively world-wide by Ted Kurland Associates (www.tedkurland.com). For more information, visit www.ronnieearl.com and www.stonyplainrecords.com.

Wednesday, April 3, 2013

Stony Plain Records artist: Ronnie Earl and the Broadcasters - Just For Today - New Release Review

I have just received the newest release, Just For Today, from Ronnie Earl and The Broadcasters and it is crazy great! (actual release date April 9, 2013). I have been a Ronnie Earl fan for a long time and I have to say this may be his all time greatest effort. This release was recorded live at three different venues, The Regent Theatre, The Natick Center for the Arts and the Narrows Center for the Arts, all in Massachusetts where Earl resides. Opening with The Big Train, Earl sets a solid swing tempo and plays soulful guitar riffs showing why he is so highly regarded in the industry. Dave Limina plays a cool organ interlude on this track as well rounding out a great instrumental tune. Next up is Blues For Celie, a slow deep blues track and Earl digs deep inside bringing out outrageous feeling and fretboard dexterity. This song plays it low key right up until late in the game when Earl opens the barn door and just literally blows you off of your seat with intense ripping steam! Clocking in at over 9 minutes, Earl leaves you wanting more... and there's more to come! The melody of Miracle has the beautiful character of a Santana composition but not played Latin style or with any of Santana riffs. This is another absolutely terrific cut and Earl keeps you glues to your seat. Heart of Glass is another deep blues number and Earl continues to find fresh avenues to express himself. You would think that after 4 tracks without a spoken word a guy could run out of riffs. Think again. Earl plays beautiful arpeggiated chords and the band (Limina, Lorne Entress on drums and Jim Mouradian on bass) set a very clean table for Earl to show his extravagant wares. On Rush Hour, a 12 bar blues along the lines of Green Onions or Help Me, Limina paves the way for Earl who literally steps up and plays Texas style like he invented it! If you think that this release can't be this good...think about this... I can't even think of words to describe how good this is! On Vernice's Boogie, Limina takes the lead laying down a solid piano boogie. Yes, this is great too ... a real foot stomper! Earl steps up about midway through and turns this into Earl's Boogie. Smokin! Blues For Hubert Sumlin is another great deep blues track. One of the secrets of making a great deep blues track is to set a great groove and then just lay back and let it happen. The band does set great groundwork and Earl just eats this track up like a starving man. A little variation from what has come so far is John Coltrane's Equinox. Set with a light Latin rhythm, Earl plays a tight jazzy interpretation of this classic song. Limina steps up with some great organ work as well balancing the overall sound. Next up is Ain't Nobody's Business, opening with some great acoustic piano work in a jazz/gospel/blues sound. Very very nice. Earl takes the melody on guitar and with Limina on organ. Using his guitar as a vocal instrument, Earl plays some of the most soulful lines on record so far this year. This track, also clocking in over 9 minutes keeps you silent and in awe. By now you're saying, this can't be this good... oh yeah... it is! Crankin' up Robert Nighthawk Stomp, the band is back in swing mode and Earl and Limina trade riffs. Earl isn't holding back on this track and drives it home. You want a toe tapper...this is it! On Jukein', a great paced loping blues track, Earl sets the pace and then Limina takes his turn again on keys. Taking it down one more time Earl teams up with Diane Blue for the only vocal and absolutely terrific version of I'd Rather Go Blind. Blue knocks it out of the park on this track complimenting perfectly the band on this set of tracks. Last up is Pastorale, a very subtle melodic exploration of the guitar. This is a beautifully melodic and dynamic instrumental.

 Earl is absolutely on fire in this set and if you love guitar and you love blues... this is a must have. This may be the best release I've heard in a long time.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Stony Plain Records artist: Ronnie Earl and the Broadcasters - Just For Today - New Release Review

I have just received the newest release, Just For Today, from Ronnie Earl and The Broadcasters and it is crazy great! (actual release date April 9, 2013). I have been a Ronnie Earl fan for a long time and I have to say this may be his all time greatest effort. This release was recorded live at three different venues, The Regent Theatre, The Natick Center for the Arts and the Narrows Center for the Arts, all in Massachusetts where Earl resides. Opening with The Big Train, Earl sets a solid swing tempo and plays soulful guitar riffs showing why he is so highly regarded in the industry. Dave Limina plays a cool organ interlude on this track as well rounding out a great instrumental tune. Next up is Blues For Celie, a slow deep blues track and Earl digs deep inside bringing out outrageous feeling and fretboard dexterity. This song plays it low key right up until late in the game when Earl opens the barn door and just literally blows you off of your seat with intense ripping steam! Clocking in at over 9 minutes, Earl leaves you wanting more... and there's more to come! The melody of Miracle has the beautiful character of a Santana composition but not played Latin style or with any of Santana riffs. This is another absolutely terrific cut and Earl keeps you glues to your seat. Heart of Glass is another deep blues number and Earl continues to find fresh avenues to express himself. You would think that after 4 tracks without a spoken word a guy could run out of riffs. Think again. Earl plays beautiful arpeggiated chords and the band (Limina, Lorne Entress on drums and Jim Mouradian on bass) set a very clean table for Earl to show his extravagant wares. On Rush Hour, a 12 bar blues along the lines of Green Onions or Help Me, Limina paves the way for Earl who literally steps up and plays Texas style like he invented it! If you think that this release can't be this good...think about this... I can't even think of words to describe how good this is! On Vernice's Boogie, Limina takes the lead laying down a solid piano boogie. Yes, this is great too ... a real foot stomper! Earl steps up about midway through and turns this into Earl's Boogie. Smokin! Blues For Hubert Sumlin is another great deep blues track. One of the secrets of making a great deep blues track is to set a great groove and then just lay back and let it happen. The band does set great groundwork and Earl just eats this track up like a starving man. A little variation from what has come so far is John Coltrane's Equinox. Set with a light Latin rhythm, Earl plays a tight jazzy interpretation of this classic song. Limina steps up with some great organ work as well balancing the overall sound. Next up is Ain't Nobody's Business, opening with some great acoustic piano work in a jazz/gospel/blues sound. Very very nice. Earl takes the melody on guitar and with Limina on organ. Using his guitar as a vocal instrument, Earl plays some of the most soulful lines on record so far this year. This track, also clocking in over 9 minutes keeps you silent and in awe. By now you're saying, this can't be this good... oh yeah... it is! Crankin' up Robert Nighthawk Stomp, the band is back in swing mode and Earl and Limina trade riffs. Earl isn't holding back on this track and drives it home. You want a toe tapper...this is it! On Jukein', a great paced loping blues track, Earl sets the pace and then Limina takes his turn again on keys. Taking it down one more time Earl teams up with Diane Blue for the only vocal and absolutely terrific version of I'd Rather Go Blind. Blue knocks it out of the park on this track complimenting perfectly the band on this set of tracks. Last up is Pastorale, a very subtle melodic exploration of the guitar. This is a beautifully melodic and dynamic instrumental.

 Earl is absolutely on fire in this set and if you love guitar and you love blues... this is a must have. This may be the best release I've heard in a long time.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Sunday, March 10, 2013

Rush Hour - RONNIE EARL

Ronnie Earl (born Ronald Horvath, March 10, 1953, Queens, New York, United States) is an American blues guitarist and music instructor. Earl collected blues, jazz, rock and soul records while growing up. He studied American History at C.W. Post College on Long Island for a year and a half, then moved to Boston to pursue a Bachelor's Degree in Special Education and Education at Boston University where he would graduate in 1975. He spent a short time teaching handicapped children. It was during his college years that he attended a Muddy Waters concert at the Jazz Workshop in Boston. After seeing Waters perform, Earl took a serious interest in the guitar, which he had first picked up in 1973. His first job was as a rhythm guitarist at The Speakeasy, a blues club in Cambridge, Massachusetts. In addition to playing in the Boston blues scene, Earl traveled twice by Greyhound Bus to Chicago, where he was introduced to the Chicago blues scene by Koko Taylor. Later he traveled to New Orleans and Austin, Texas, where he spent time with Kim Wilson, Jimmie Vaughan and The Fabulous Thunderbirds. In 1979 he joined The Roomful of Blues as lead guitarist for the band. He began performing solo in 1986, in addition to playing with Roomful of Blues, and he released his first solo album on the Black Top Records label with a quartet that focused on blues instrumentals. After leaving Roomful of Blues, he began collaborations with contemporaries Ron Levy and Jerry Portnoy, Earl King, Jimmy Rogers, and Jimmy Witherspoon. In 1988 Earl formed his own band that he called The Broadcasters, named after the first Fender guitar which originally had been labeled The Broadcaster and was distributed in 1950. The first group of Broadcasters included Darrell Nulisch (vocalist), Jerry Portnoy (harmonica), Steve Gomes (bass), and Per Hanson (drums). In 1988 they released their first album, Soul Searchin, followed by Peace of Mind in 1990. Their album Language of the Soul was released in 1994. The lineup for the Broadcasters for that album was Bruce Katz (keyboards), Per Hanson (drums) and "Rocket" Rod Carey (bass). The next album The Colour of Love, featured Marc Quinones (percusion) and Gregg Allman (keyboards). The association lead to Ronnie Earl and the Broadcasters opening for the Allman Brothers Band at Great Woods, and Warren Haynes (guitar for the Allman Brothers Band) sitting in with Ronnie Earl and the Broadcasters at Johnnie D's in Somerville. Later Katz joining the Gregg Allman Band. In 2000, Earl was diagnosed with several medical ailments, and scaled back his touring, as well as re-evaluating his career plans. The current group of Broadcasters, Jimmy Mouradian (bass), Dave Limina (organ), and Lorne Entress (drums), began playing together prior to the 2003 release of I Feel Like Going On and, in 2009, released Living in the Light, their fifth release from Stony Plain Records. In 2008, Ronnie Earl and the Broadcasters celebrated twenty years as a band, and by August, 2010, Ronnie Earl and the Broadcasters released Spread the Love. Earl is a two-time Blues Music Award winner as Guitar Player of the Year. For five years he was an Associate Professor of Guitar at Berklee College of Music and, in 1995, he released Ronnie Earl: Blues Guitar with Soul, an instructional VHS tape that was then re-released in DVD format in 2005. Earl was also the blues instructor at the 'National Guitar Summer Workshop'. In early 2004, Earl's "Hey Jose" won in the third Independent Music Awards for Best Blues/R&B Song

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Friday, January 25, 2013

Ronnie Earl & the Broadcasters Are Live on New CD, "Just for Today," Coming April 9 on Stony Plain Records


Ronnie Earl & the Broadcasters Are Live on
New CD, Just for Today, Coming April 9
From Stony Plain Records





EDMONTON, AB – Stony Plain records announces an April 9 release date for Just for Today, the new CD from legendary guitarist Ronnie Earl & the Broadcasters, recorded live at The Regent Theatre, The Natick Center for the Arts and The Narrows Center for the Arts, venues all located in his home state of Massachusetts. Acknowledged as one of the best guitarists on the planet, Ronnie Earl celebrates the 25th year of the band with long-time Broadcasters’ members Lorne Entress – drums, Dave Limina – piano and Hammond B3 and Jim Mouradian – bass. Singer Diane Blue is a special guest vocalist, and Nicholas Tabarias joins in on guitar for two songs.

On Just for Today, listeners get an up-close, front-row seat into what has made Ronnie Earl one of the most intense and passionate guitarists of his generation, as he squeezes every ounce of his soul into each string bend, guitar phrase and note throughout the mostly-instrumental 13 songs contained on the new CD.  As always, Ronnie pays tribute to many of his mentors and influences such as Otis Rush (“Rush Hour”), Hubert Sumlin (“Blues for Hubert Sumlin”) and Robert Nighthawk (“Robert Nighthawk Stomp”). Sprinkled in among the many original songs is a unique cover of John Coltrane’s “Equinox,” as well as signature takes on the aforementioned “Ain’t Nobody’s Business” and “I’d Rather Go Blind,” (which also features Diane Blue on vocals). Guitarist Nicholas Tabarias guests on “Rush Hour,” as well as the band original, “Jukein’.”

Just for Today is Ronnie Earl’s seventh album for Stony Plain and follows his acclaimed 2010 release, Spread the Love, which drew universal praise for its power, soulfulness and spirituality, traits which have become the hallmarks of all his recordings.

“… an album of rare joy and soul from a master who has reached another pinnacle in his playing,” wrote Steve Morse of The Boston Globe. “With the Broadcasters, Ronnie’s latest release shows him to be one of the most soulful blues/soul/jazz guitarists working today,”
said j. Poet in his San Francisco Examiner review. “The pacing, segues and production are masterfully done, and the unbridled passion in his playing creates a joyous, uplifting vibe,” added Jeff Johnson in the Chicago Sun-Times.

Born in Queens, New York, in 1953, Ronnie Earl’s journey to become one of the top guitar players in the world began quite late, since he didn’t pick up his first guitar until age 20. Inspired by Muddy Waters, T-Bone Walker, B.B. King, Freddie King, Otis Rush, Big Walter Horton and The Fabulous Thunderbirds, Ronnie quickly developed his six-string skills, playing with an intensity that continues to this day. He has played with such greats as Carlos Santana, Eric Clapton, Earl King, Stevie Ray Vaughan, and The Allman Brothers as well as several of the musicians that inspired him early on.

From 1979 to 1988, Earl played with a number of groups before forming his own band, The Broadcasters, named after the first Fender Telecaster guitar called the Broadcaster. The current Broadcasters line-up have played together for over 13 years and continue to tour, playing their inspired sounds for grateful audiences everywhere, spreading Ronnie’s gospel of love and healing through music.

As Ronnie Earl says in the liner notes for Just for Today, “Always carry hope and an open heart in your life. Don’t quit before the miracle happens.” 

Ronnie Earl & the Broadcasters are booked by Ted Kurland Associates (matt@tedkurland.com). For more information, visit www.ronniearl.com.

Publicity (United States):
Mark Pucci, Mark Pucci Media
(770) 804-9555 / mpmedia@bellsouth.net

Publicity (Canada):
Richard Flohil, Richard Flohil & Associates
(416) 351-1323 / rflohil@sympatico.ca

Record Company: 
Stony Plain, Box 861, Edmonton, Alberta T5J 2L8
(780) 468-6423 / info@stonyplainrecords.com
Website: www.stonyplainrecords.com

Tuesday, January 15, 2013

Long Gone Records artist: Cathy Ponton King - The Crux - New Release Review

I just received the new release, The Crux, by Cathy Ponton King. King has assembled a who's who of contemporary blues artists including Jimmy Thackery, Ronnie Earl, Butch Warren and Ron Holloway. The release features 10 new blues ballads covering the spectrum from the zydeco influenced I Want You To Be Happy to the jazz infused Little House In The Country. Opening with Sugarface, a horn filled track with cool guitar riffs from Thackery and nice key work from Bill Starks King sets the groundwork for the release. I'm Just A Woman has a bit of country blended into the blues again featuring Thackery on guitars. The riffs on this track are right out of Thackery's bag of country tricks. Cerulean Blues is a pure ballad featuring the beautiful guitar phrasing of Ronnie Earl. Blues Companion, again featuring Earl, is a standard 12 bar blues track. Tattoo On My Heart, a country folk style ballad, features some really nice acoustic guitar work from Jason Byrd. Holloway has a nice sax run on this track as well. Sweet Change To My Heart really has some exceptional guitar riffs by Earl. This is my favorite track on the release. With it's Bossa Nova beat, Little House In The Country touches on the light jazz fare and could easily make airplay. Earl and Starks each play some really sweet riffs on this track making it quite memorable. Bridges That You Burned has some really nice guitar work by Dave Hovey and Mike Lessin. Finishing up with funky track, I'm Suffering, CPK leads the band through another jazzy track featuring Thackery on guitar. Other musicians on the release include Chris Battistone on trumpet, John Jensen on trombone, Bruce Swaim on sax, Antoine Sanfuentes on drums, Jim Roberson on bass, John Priviti on bass, Tom Corradino on accordian, Butch Warren on Bass and Jeff King on Vocals. This is a smooth blues/jazz CD for a mainstream listener. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

Sunday, September 9, 2012

That Ain't It / Down Yonder - Walter Horton with Ronnie Earl


Walter Horton, better known as Big Walter Horton or Walter "Shakey" Horton, (April 6, 1917 – December 8, 1981) was an American blues harmonica player. A quiet, unassuming and essentially shy man, Horton is remembered as one of the premier harmonica players in the history of blues. Willie Dixon once called Horton "the best harmonica player I ever heard.
Born Walter Horton in Horn Lake, Mississippi, he was playing a harmonica by the time he was five years old. In his early teens, he lived in Memphis, Tennessee and claimed that his earliest recordings were done there in the late 1920s with the Memphis Jug Band, although there is no documentation of it, and some blues researchers have stated that this story was most likely fabricated by Horton. (He also claimed to have taught some harmonica to Little Walter and the original Sonny Boy Williamson, although these claims are unsubstantiated, and in the case of the older Williamson, somewhat suspect).

As with many of his peers, he spent much of his career existing on a meager income and living with constant discrimination in a segregated United States of America. In the 1930s he played with various blues performers across the Mississippi delta region. It is generally accepted that his first recordings were made in Memphis backing guitarist Little Buddy Doyle on Doyle's recordings for the Okeh and Vocalion labels in 1939. These recordings were in the acoustic duo format popularized by Sleepy John Estes with his harmonicist Hammie Nixon, among others. On these recordings, Horton's style is not yet fully realized, but there are clear hints of what is to come. He eventually stopped playing the harp for a living due to poor health, and worked mainly outside of the music industry in the 1940s. By the early 1950s, he was playing music again, and was among the first to record for Sam Phillips at Sun Records in Memphis, who would later record Elvis Presley, Carl Perkins, and Johnny Cash. The early Big Walter recordings from Sun include performances from a young Phineas Newborn, Jr. on piano, who later gained fame as a jazz pianist. His instrumental track recorded around this time, "Easy", was based on Ivory Joe Hunter's "I Almost Lost My Mind".

During the early 1950s he first appeared on the Chicago blues scene, where he frequently played with fellow Memphis and Delta musicians who had also moved north, including guitarists Eddie Taylor and Johnny Shines. When Junior Wells left the Muddy Waters band at the end of 1952, Horton replaced him for long enough to play on one session with Waters in January 1953. Horton's style had by then fully matured, and he was playing in the heavily amplified style that became one of the trademarks of the Chicago blues sound. He also made great use of techniques such as tongue-blocking. He made an outstanding single as a leader for States in 1954. Horton's solo on Jimmy Rogers' 1956 Chess recording "Walking By Myself" is considered by many to be one of the high points of his career, and of Chicago Blues of the 1950s.

Also known as "Mumbles", and "Shakey" because of his head motion while playing the harmonica, Horton was active on the Chicago blues scene during the 1960s as blues music gained popularity with white audiences. From the early 1960s onward, he recorded and appeared frequently as a sideman with Eddie Taylor, Johnny Shines, Johnny Young, Sunnyland Slim, Willie Dixon and many others. He toured extensively, usually as a backing musician, and in the 1970s he performed at blues and folk music festivals in the U.S. and Europe, frequently with Willie Dixon's Chicago Blues All-Stars. He has also appeared as a guest on recordings by blues and rock stars such as Fleetwood Mac and Johnny Winter.

In October 1968, while touring the United Kingdom, he recorded the album Southern Comfort with the former Savoy Brown and future Mighty Baby guitarist Martin Stone. In the late 1970s he toured the U.S. with Homesick James Williamson, Guido Sinclair, Eddie Taylor, Richard Molina, Bradley Pierce Smith and Paul Nebenzahl, and appeared on National Public Radio broadcasts. Two of the best compilation albums of his own work are Mouth-Harp Maestro and Fine Cuts. Also notable is the Big Walter Horton and Carey Bell album, released by Alligator Records in 1972.

He became a mainstay on the festival circuit, and often played at the open-air market on Chicago's Maxwell Street. In 1977, he joined Johnny Winter and Muddy Waters on Winter's album I'm Ready, and during the same period recorded some material for Blind Pig Records. Horton appeared in the Maxwell Street scene in the 1980 film The Blues Brothers, accompanying John Lee Hooker. His final recordings were made in 1980.

Horton died from heart failure in Chicago in 1981 at the age of 64, and was buried in Restvale Cemetery in Alsip, Illinois.

He was posthumously inducted into the Blues Hall of Fame in 1982
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Friday, June 8, 2012

Spider in My Web - Ronnie Earl with Diane Blue, Seth Holzman, and Gil Correia


Boston's DIANE BLUE has the “whole package” – she is a strong vocalist, skillful harmonica player and a crowd pleasing entertainer. Voted Outstanding Female Singer in The Blues Audience 2011 Readers’ Poll, Ms. Blue is a soulful and sassy performer with a strong, confident attack and energetic delivery, serving up her own spin on soul, blues and R&B.

Ms. Blue won the 2010 Massachusetts Blues Challenge, earning the honor of competing at the 2011 International Blues Challenge in Memphis, Tennessee. She was nominated for "Best Female Singer" in the 2010 Blues Audience Readers Poll, "Best Blues/R&B Act" and "Best Female Vocalist in 2007 by the Providence Phoenix and also nominated "Best Local Blues Act" by Motif Magazine in 2007.

Ms. Diane Blue has played harmonica and/or sung with guitarist extraordinaire, Ronnie Earl, as well as international performers Luther Guitar Jr. Johnson (former sideman for Muddy Waters), Big Jack Johnson (of Clarksdale, Mississippi) and Irma Thomas (the Soul Queen of New Orleans). Juke joint legend Big Jack Johnson dubbed Ms. Blue “A Monster” on the harp after she performed as his guest star at Red's Lounge in Clarksdale, Mississippi.

Ms. Blue continues to tour internationally as well as performing in the USA.
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Saturday, March 10, 2012

Instrumental - RONNIE EARL The Broadcasters


Ronnie Earl (born Ronald Horvath, March 10, 1953, Queens, New York, United States) is an American blues guitarist and music instructor.
In 1988 Earl formed his own band that he called The Broadcasters, named after the first Fender guitar which originally had been labeled The Broadcaster and was distributed in 1950. The first group of Broadcasters included Darrell Nulisch (vocalist), Jerry Portnoy (harmonica), Steve Gomes (bass), and Per Hanson (drums). In 1988 they released their first album, Soul Searchin, followed by Peace of Mind in 1990. Their album Language of the Soul was released in 1994. The lineup for the Broadcasters for that album was Bruce Katz (keyboards), Per Hanson (drums) and "Rocket" Rod Carey (bass). The next album The Colour of Love, featured Marc Quinones (percusion) and Gregg Allman (keyboards). The association lead to Ronnie Earl and the Broadcasters opening for the Allman Brothers Band at Great Woods, and Warren Haynes (guitar for the Allman Brothers Band) sitting in with Ronnie Earl and the Broadcasters at Johnnie D's in Somerville. Later Katz joining the Gregg Allman Band.

In 2000, Earl was diagnosed with several medical ailments, and scaled back his touring, as well as re-evaluating his career plans. The current group of Broadcasters, Jimmy Mouradian (bass), Dave Limina (organ), and Lorne Entress (drums), began playing together prior to the 2003 release of I Feel Like Going On and, in 2009, released Living in the Light, their fifth release from Stony Plain Records. In 2008, Ronnie Earl and the Broadcasters celebrated twenty years as a band, and by August, 2010, Ronnie Earl and the Broadcasters released Spread the Love.
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