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Overton Music artist: Russ Green - Stone Cold - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Whosoever Will, Let Him Come - Eugene Rhodes

By Bman -
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If there is a more obscure country blues artist than this fellow, then he is probably locked up somewhere, as well, one hastens to add, because that was the situation when blues scholar Bruce Jackson first discovered Eugene Rhodes. He was doing a ten- to 25-year stretch at the Indiana State Prison, which was where a remarkable album was recorded of 15 songs and a little talking that was eventually released on a label even more obscure than the bluesman, if such a thing is possible. By the time Rhodes was discovered, he seemed like he was in his late 50s and apparently nervously dispaired "them old alley blues" that nobody wanted to hear anymore now that all the public wanted was jazz. His opinions as expressed to his recording producer do well in indicating his cultural isolation as a prisoner, because he was apparently unaware of the huge white audience for country blues that existed in the '60s, a time when an elderly black gent with a slide on his finger would be con...
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