Bman's Blues Report

Smithsonian Folkways has been the ultimate vault for American roots music since 1948 , when founder Moses Asch started capturing raw, unvarnished sounds that mainstream labels ignored. Asch made it his mission to document the blues as living history, tracking legendary artists across decades. When the Smithsonian took over the catalog in 1987, they promised to keep every single recording permanently available, preserving the foundational DNA of American music. For years, their absolute gold-standard blues anthology was a 26-track CD from 2003 called Classic Blues . It packed 50 years of music—from the 1940s to the 1990s—into one masterclass collection, covering everything from gritty Delta styles to smooth Chicago electric tracks. It became a massive hit for the label, but vinyl fans had to wait more than twenty years to finally get it on wax. That wait ended in the summer of 2026 when Folkways finally dropped Classic Blues as a gatefold double-LP vinyl reissue . The remastered 2-LP ...

Elizabeth Cotten, Washington, D.C. in 1960 Photograph by John Cohen Elizabeth "Libba" Cotten (January 5, 1893 – June 29, 1987) was an American blues and folk musician, singer, and songwriter. A self-taught left-handed guitarist, Cotten developed her own original style. Her approach involved using a right-handed guitar (usually in standard tuning), not re-strung for left-handed playing, essentially, holding a right-handed guitar upside down. This position required her to play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking". Elizabeth Nevills was born in Carrboro, North Carolina, at the border of Chapel Hill, to a musical family. Her parents were George Nevills and Louise Price Nevills. Elizabeth was the youngest of five children. At age seven, Cotten began to play her older brother's banjo. By eight years old, she was playing songs. At 11, after scraping together ...

Elizabeth "Libba" Cotten (January 5, 1895 – June 29, 1987) was an American blues and folk musician, singer, and songwriter. A self-taught left-handed guitarist, Cotten developed her own original style. Her approach involved using a right-handed guitar (usually in standard tuning), not re-strung for left-handed playing, essentially, holding a right-handed guitar upside down. This position required her to play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking". Elizabeth Nevills was born in Carrboro, North Carolina, at the border of Chapel Hill, to a musical family. Her parents were George Nevills and Louise Price Nevills. Elizabeth was the youngest of five children. At age seven, Cotten began to play her older brother's banjo. By eight years old, she was playing songs. At 11, after scraping together some money as a domestic helper, she bought her own guitar. Although self-taught...

More Elizabeth Cotten! Interviewer is Shetland Fiddler Aly Bain, from his 1985 Series Down Home. Write on our Facebook Wall or post your Photos of great blues events! -  Here

Elizabeth "Libba" Cotten (January 5, 1895 – June 29, 1987) was an American blues and folk musician, singer, and songwriter. A self-taught left-handed guitarist, Cotten developed her own original style. Her approach involved using a right-handed guitar (usually in standard tuning), not re-strung for left-handed playing, essentially, holding a right-handed guitar upside down. This position required her to play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking". Write on our Facebook Wall or post your Photos of great blues events! - Here

Elizabeth "Libba" Cotten (January 5, 1895 – June 29, 1987) was an American blues and folk musician, singer, and songwriter. A self-taught left-handed guitarist, Cotten developed her own original style. Her approach involved using a right-handed guitar (usually in standard tuning), not re-strung for left-handed playing, essentially, holding a right-handed guitar upside down. This position required her to play the bass lines with her fingers and the melody with her thumb. Her signature alternating bass style has become known as "Cotten picking". Get Facebook support for your favorite band or venue - click HERE