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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Alex McLaughlin - A Brand New State - New Release Review

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 I just had the opportunity to review the most recent release, A Brand New State , from Alex McLaughlin , and it's rich and full of texture. Opening with Desert Chapel , Alex McLaughlin on upright bass, sets the quiet framework of the track joined by Jeremy Siskind on piano fleshing out the melody. With Tina Raymond adding crisp, articulate snare and cymbal work, Trumpet man Jeremy Pelt creates a sharp contrast with brilliant phrasing and McLaughlin steps back up with a solid bass solo. Siskind adds his own exploration of the melody making for a super opener. Signals is quite melodic with Pelt laying out the format, framed. Siskind and Pelt  each create dynamic solos making this one of my favorite tracks on the release. Lily has a bluesy feel with the sense of longing in lead lines by Pelt on trumpet and lush reinforcement by Siskind on piano. McLaughlin works hand in hand with Siskind on his bass solo with tight snare/cymbal work by Raymond. Bop track, El Polvo really move...