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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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We Need to Help Each Other - Lil Mack Simmons

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Lil Mack Simmons (January 25, 1933 — October 24, 2000) was an African American, Chicago blues harmonica player, singer and songwriter.By the late 1960s, Simmons had redefined his musical style, incorporating an intriguing mix of gospel, country and western, funk, soul and rock influences into his blues. From the mid to late 1970s, he owned and operated the Zodiac Lounge in Chicago. He also owned a studio and recorded for his own labels: PM Records and Simmons Records. In addition he cut blues tracks for Biscayne and Dud Sound, and in the 1980s he recorded for Sky Hero Productions, in which he was a partner. By the mid-1990s, Mack was back in the studio, cutting Come Back To Me Baby on the Wolf label in 1994 and High And Lonesome for St. George Records the following year. But it was his 1997 Electro-Fi release, Little Mack Is Back, that proclaimed the revival of Simmons's career, reaping enthusiastic reviews from around the globe. Similarly his current Electro-Fi CD, Somewhere On Do...