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Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Swirl Disc artist: Freeworld - What It Is - New Release Review

By Bman -
I just had the opportunity to review the most recent release, What It Is, from Freeworld and it's a horn infused party. Opening with Deeper By The Minute, Richard Cushing, lead vocalist and bass player sets the pace with Dr. Herman Green on tenor sax, Peter Climie on tenor, bari and alto sax, Andy Tate on guitar, Chris Stephenson on keys, Jared Dover on trumpet, Freedman Steorts on trombone and Greg Lundy on drums. A funky rocker with tight horns and a funky beat, cool opener. Shrimp N' Grits is a solid horn saturated instrumental. One of my favorite tracks on the release it features a real nice flow of trumpet and sax solos by Dover and Green as well as a vicious guitar solo by Tate. Another of my favorite tracks blends funk and neo soul on It's Alright. A great bass riff and shimmery piano work shine and punchy horn work keeps it tight. I fat guitar solo by Tate really hangs out against the somewhat conservative horn backing making it all the more impactful. Taking a jazzier route on For The Moment, Cushing's bass line is terrific, Dover's muted trumpet work is very cool, and flanged guitar soloing by Tate really pushes it over the top with anxious horn punch. Very nice! A great sax lead on Sideswiped really digs in over a subdued funky key rhythm and punchy horns. An expanded electric key solo adds to the overall tension of this cool instrumental and then it's back to Tate who is not bashful throwing down a bold guitar solo. Very nice. Wrapping the release is eastern influenced, Eve Waits. A creative, classical jazz track with lead bass and instrumental weaving over a solid western drum rhythm. Interesting conclusion to a really cool release. 

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