Bman's Blues Report

Smak is a Serbian and former Yugoslav rock band from Kragujevac. The group reached the peak of popularity in the 1970s when it was one of the most notable acts of the former Yugoslav rock scene. The band's leader, guitarist Radomir Mihajlović, nicknamed "Točak" ("The Wheel"), is considered one of the most influential guitarists on the former Yugoslav rock scene. Formed in 1971 by the guitarist Radomir Mihajlović "Točak" and drummer Dejan Stojanović "Kepa", the band did not get a default lineup until 1975 by which time bassist Zoran Milanović, vocalist Boris Aranđelović and keyboard player Laza Ristovski consisted the official band membership. However, after recording their eponymous debut album, Ristovski left the band and the remaining quartet recorded their subsequent albums with various keyboard players before disbanding in 1981. After brief reunions in the period between 1986 and 1992, the band was reformed by the two founding members...

Point Blank, probably, the first real blues band in former Yugoslavia, enough honest and brave to dive deep into the blues idiom at the time which was over piled with music so much different from blues, as well as fighting against, for so, so long, firmly established opinion that Balkans couldn't cope with such kind of feelings arose from dark depths of American black society's spiritual tradition. English language finally cemented down the prejudice, casting away an idea to playing blues music as already highly respected form of musical expression. But..., as always happens, something was creeping out from the cellar! The very beginning of the summer 1983 found Dragoljub Crncevic-Baki, the prodigal son, and two, the off-road pals of his, one Timothy Davis an American, the other Michael Sulc an Australian, coming to visit Baki's hometown Belgrade, in which somewhere in shadows languished Dragan Markovic, a. k. a. Mare di Luna, waiting for an opportunity to knock! That ...

Point Blank, probably, the first real blues band in former Yugoslavia, enough honest and brave to dive deep into the blues idiom at the time which was over piled with music so much different from blues, as well as fighting against, for so, so long, firmly established opinion that Balkans couldn't cope with such kind of feelings arose from dark depths of American black society's spiritual tradition. English language finally cemented down the prejudice, casting away an idea to playing blues music as already highly respected form of musical expression. But..., as always happens, something was creeping out from the cellar! The very beginning of the summer 1983 found Dragoljub Crncevic-Baki, the prodigal son, and two, the off-road pals of his, one Timothy Davis an American, the other Michael Sulc an Australian, coming to visit Baki's hometown Belgrade, in which somewhere in shadows languished Dragan Markovic, a. k. a. Mare di Luna, waiting for an opportunity to knock! That summ...