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Showing posts with the label Twist The Knife

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💿 ALBUM REVIEW: Leigh Pilzer - Keep Holding On

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Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist.   🎵 LISTEN & SUPPORT THE ALBUM   Keep Holding On by Leigh ...

Rip Cat Records artist: Forty Fours - Twist The Knife - New Release review

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I just had the opportunity to review the most recent release, Twist The Knife , from the 44's and it's hot! Opening with excellent, original instrumental track, Cutting Deep , the band holds a tight blues rally while lead guitar player, Johnny Main tears it up. Excellent style and chops makes this one of the coolest new tracks I've heard this year. With Eric Von Herzen on harp, Mike Hightower on bass, Gary Ferguson on drums and Junior Watson on guitar, this is a massive opener. On Howlin' Wollf''s Howlin' , Main sings with a raspy, Wolf like voice and rolls immediately into a nice long guitar solo, also nicely worked over by Von Herzen on harmonica. Very cool. On Morganfield's Champagne and Reefer , Main sings soulfully and Von Herzen really has nice tone with an excellent harp solo. Very cool. Doyle Bramhall II's Rosie is up next with it's swampy drive and droning lower end. Main really takes advantage of this primal feel with wailing guita...