This Week's Reader Favorite Post

Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Mighty Ernie Records artist: Pete Mills - For The Record - New Release Review

By Bman -

 I just had the opportunity to review the most recent release, For The Record, by Pete Mills and it swings. Opening with title track, For The Record, Pete Mills on Tenor sax, Jon Eshelman on B3, Tom Davis on guitar and Zach Compston on drums get things moving. Mills rips loose on tenor laying down fluid lead before handing to Davis on guitar who is smooth as silk. Eshelman on B3 is strong with a fat tone and kicks it robust style. Swinging opener. Bird Lives is really hot with Davis and Mills cooking the melody. Mills takes the first solo and it really is smoking, held down by Compston and fattened up by Eshelman and Davis' guitar solo it bright and exciting. Eshelman lets the B3 roll and working in tandem with Compston he rolls. Excellent track. Laid back, Z is for Zadie features Mills cruising on sax and Eshelman on B3 with a real warm solo by Davis on guitar. Another kicker, Step On It, really moves with Mills hitting it right out of the gate. His soloing is tasty and enticing followed by Davis who really knows how to dig in. With tight punctuation by Compston and Eshelman, another strong track. Wrapping the release is Baby Simon, a simple ballad with a strong melody. Mills frames out the track and Eshelman gets in a warm slot on B3. Davis really articulates nicely in the quiet with tender, yet crisp solo lines. Very nice closer. 


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