I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the most recent release, Cold Chills, from Henry Gray and Bob Corritore and it's a heaping serving of Chicago blues. Opening with Cold Chills, Henry gray is upfront on lead vocal and piano and Corritore has great tone and fullness. Backed by Bob Margolin on guitar, Johnny Rapp on guitar, Chico Chism on drums and Pops McFarlane on drums, this unit is tight. Fats Domino's Don't You Lie To Me is a great track for Gray with natural piano spotlight and Corritore is mic'd forward in the mix which I really like. John Brim gats the mic on slow blues, Moonlight Blues, also taking the lead on guitar with Corritore on harmonica, Paul Thomas on bass, and Chism on drums. This track has a great feel and balance. Eddie Taylor Jr leads the way on guitar and vocal on Going Away Baby with Corritore on harmonica, Illinois Slim on on guitar, Brian Fahey on drums, and Bob Stroger on bass. Very nice. Gray is back on piano on Mother - In - Law Blues featuring Robert Jr Lockwood on guitar and Chism on drums, Rapp on guitar and Mario Moreno on bass. In the slot, solid. Tail Dragger is upfront on Hurt Your Feelings and Johnny Burgin adds tasty lead guitar. With Slim on guitar, Fahey on drums and Stroger on bass, deep Chicago blues. Jimi "Primetime" Smith is at the mic on You For Me a cool shuffle track with a nice lope. Gray and Corritore really shine on this track with Troy Sandow on bass and Marty Dodson on drums. Chief Schabuttie Gilliame does an outrageous job on lead vocal on boogie, Javelina Jamboree with Burgin smoking the guitar and great piano riffs by Gray. Backed by Moreno on bass and Chism on drums, this is my favorite track on the release. Wrapping the release is slower blues, Going Down Slow with Gray back on lead vocal and piano and chilling guitar riffs by Rapp. This is an excellent closer for a really strong traditional Chicago blues release.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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