I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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Marie Martens & The Messarounds - Travelled - New Release Review
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Bman
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I just had the opportunity to review the most recent release, Travelled, by Marie Martens & The Messarounds and it's old school blues rock. Opening with Change My Ways, Marie opens with a great slide riff and this band really has the grit of the early Yardbirds (if you don't know them check out the beginnings of Jeff Beck, Clapton and Page). With Ronnie Cacioppo on percussion, Jimmy B Natural on bass and Tom Selear on drums. I like Martens' slide style and with solid bass and driving drums...what's not to love. Very cool! On Keep On Loving Me, Martens steps out on guitar and her riffs are loose and fluid, consistent with the time and is a breath of fresh in todays climate. Just listen to the throaty rumble that she's getting on Mama Won't Allow Me. It's her basic style and those old Teisco (?) pickups that gives it that Hound Dog Taylor feel. Excellent! Listen to this fat slide work on Movin' On! Using just the basic slap drumming technique, Selear really emphasizes Martens' raw sound... really strong! The band continues to rock on through Kokomo Blues. Talk about rattling the rafters. This release is a blast! Hound Dog's own Give Me Back My Wig is next up and that fat fat slide work and grinding tone is just terrific. Closing the release is the Stones' Ventilator Blues. The overdriven, almost "blown up" driver sound that Martens is getting out of her amp makes me jealous as hell. Gotta go home and work on that. Managing this fat sound and on this, one of the Stones great songs is a terrific closer for a really super release.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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